Edvard Munch painted with a strong subjectivity And sad and depressing mood. His intense, evocative approach to psychological distress was critical to the early 20th century German expressionism Has been a major influence on the growth of, his major works are shout "" Dance of life "" Carl John Street at night ". On January 23, 1944, Edvard Munch died in Eckerley.

Chinese name: Edvard Munch
Foreign name: Edvard Munch
nationality: Norse
Date of birth: December 12, 1863
Date of death: January 23, 1944
Graduate School: Royal Academy of Art and Design, Oslo

occupation: Painter
Major achievement: Norwegian expressionist painter and printmaker.
The great Norwegian painter
The forerunner of modern expressionist painting.
Place of Birth: Norwegian Leten
Have faith in: Christianity
Representative works: " shout "" Dance of life "" Carl John Street at night "

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biography

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EDITOR

Early experience

Edvard Munch mused

Edvard Munch was born on December 12, 1863 Norse Reiden Oslo Grow up. Edvard Munch's father had it psychosis He instilled in his children a deep-seated fear of hell, telling them repeatedly that if they committed sin in any way, under any circumstances, they would be doomed to hell without any chance of forgiveness. In 1879, Edvard Munch entered engineering College to become an engineer impressionism The influence of the painting style, however, frequent illness interrupted his studies.

In 1880, Edvard Munch left the Institute of Engineering in order to become a painter.

In 1881, Edvard Munch entered the Royal Academy of Art and Design in Oslo, where he was taught by the sculptor Julius Middleton and the naturalist painter Christian Kroger .

In 1885, Edvard Munch went to Paris. His work began to show the influence of French painters; At first impressionism , followed by post-impressionism And then Art Nouveau Styling. Although Edvard Munch's paintings are post-impressionist in style, they are symbolic in theme. The content of Edvard Munch's paintings is to depict the inner world rather than the outer reality.

Midlife experience

In 1889, he changed to the traditional painting method to create "Sick Child" and the variation painting "Spring", so that he won a scholarship to study in France. Boehner. In France, he turned to Impressionism on the basis of his studies post-impressionism and Nabis Take an interest. He found that lines and colors had strong Expressive force I tried to use them to paint living people, breathing, feeling, suffering and loving each other.

In 1892, Edvard Munch was invited to attend Berlin The Artists Union held an exhibition in November. Edvard Munch's paintings became the subject of bitter controversy, and the exhibition closed after a week. In Berlin, Edvard Munch became part of an international circle of writers, artists, and critics, including the Norwegian playwright Henri Ibsen Sweden dramatist August Strindberg. Edvard Munch designed sets for several of Ibsen's plays.

In December 1893, Edvard Munch was celebrated in Berlin Unter Linden Street Have an art exhibition. Among other works, Edvard Munch exhibit Entitled "A Study of Love Series", it consists of six paintings. This is what he later named "The Sash of Life, a poem of Life, Love and Death." A series of paintings The starting point. It includes deeply atmospheric themes such as Storm, Moonlight and Starry Night. Other themes reveal the dark side of love, such as "Rose and Amelie" and "Vampires." Death in the Sickroom is based on Edvard Munch's memories of his sister Sophie's death.

In 1894, the "sash of Life" was added to the "Anxiety". ash "Madonna" and "Three Stages of Woman" collection. At the turn of the century, Edvard Munch completed his "Ribbons of Life" series of paintings.

Later life experience

In the fall of 1908, his anxiety became acute and he was admitted to Dr. Daniel Jacobson's clinic for treatment. They do it at the hospital Shock therapy Changed his personality.

In 1909, Edvard Munch returned Norse Showing more interest in nature, his work became more colorful and less pessimistic. in Nazi During his reign, Edvard Munch's work was labeled" Decadent art The label was removed from various art galleries in Germany. the Nazism It was sad for Edvard Munch, who regarded Germany as his second country.

On January 23, 1944, Edvard Munch died in Eckely, near Oslo. He donated 1,000 paintings, 15,400 prints, 4,500 drawings and drawings to Oslo watercolour There are also six carvings. It was later built in honour of Edvard Munch Munch Art Museum . ^[1]

Character life

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EDITOR

Edvard Munch was the painter Jacob Edvard Munch and historian A relative of Peter Andre Edvard Munch. Her mother Laura died in 1868 phthisis After the death of his mother, young Edvard Munch was raised alone by his father, Christian Edvard Munch. His father was a doctor and a Christian. Lost mother in childhood, sister was Lung disease The loss of his life, the mental illness of his sister, and the misfortune of his childhood had a profound impact on his life's creation. ^[1]

Character influence

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EDITOR

Historical development

Under the influence of the philosophical and aesthetic trends of his time, he tried to explore various conditions in the human mind, representing themes such as illness, death, despair, and love. Thus, his creations have "spiritual. realism "The title. Due to the attack of conservative forces, it was soon closed, but it was a great stimulus to the young German painters expressionism The generation of motion. ^[1]

Dissemination of ideas

Edvard Munch uses themes to express his personally experienced feelings about life and death. Each painting conveys the feelings and emotions of the artist with unparalleled intensity, the details of the specific objects depicted are simplified, the emotions are exaggerated, and the objects themselves become a carrier of the emotions to be expressed, although they remain figurative. These paintings have a timeless power to shock the soul. Behind all this, we can also see the scene of the "end of the century", the strange circle of the abyss of lost desire and the inescapable shadow of death, and the anxiety and helplessness of life. The amazing expressive power of Edvard Munch's work comes from the unabashed faithful expression of the artist's inner world, and Edvard Munch's paintings are created with the whole mind.

Major work

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EDITOR

Works' name	A given year
Øvre Foss	1880
Small Lake with Boat	1880
Horse and Wagon in front of Farm Buildings	1880
Autumn Work in the Field	1880
Landscape with Woman Walking by a Lake	1880
Landscape with Trees and Water	1880
Autumn in the Forest	1880
Horse and Cart on a Country Road	1880
Still Life with Pipe and Bibles	1880
View from Fossveien	1880-81.
View from Fossveien	1881
Winter Landscape with House and Red Sky	1881
Potted Plant on the Window-Sill	1881-82.
Potted Plant	1881-82.
The Living-Room of the Misses Munch in Pilestredet 61	1881
From Vestre Aker	1881
Hakloa in Maridalen	1881
Maridalsveien in Nydalen	1881
Houses in Maridalen	1881
From Maridalen	1881
Akerselva	1881
Landscape with Woman and Child	1881
Landscape with a Small House and Two People	1881
Landscape with Lake and Forest	1881
From Bunnefjorden	1881
From Sandvika	1881
Man Rowing towards Land	1881
Bay with Boat and House	1881
Man and Woman in Boat	1881
Fisherman by the Water	1881
Christian Munch on the Couch	1881
Christian Munch on the Couch	1881
Study of a Landscape	1881
View of Grüner's Garden	1881
Gamle Aker Church	1881-82.
Gamle Aker Church	1881
Gamle Aker Church	1881
Gamle Aker Church	1881
View from Fossveien 7 towards Bergfjerdingen	1881
People on the Road in Wet Snow	1881
Goblin with Christmas Porridge	1881
Still Life with Jar, Apple, Walnut and Coconut	1881
Øvre Foss in Winter	1881-82.
Boy in Snow	1881-82.
View of the City on a Winter's Day	1882
Self-Portrait	1882
Laura Munch	1882
Laura Munch	1882
Olaf Rye's Square towards South East	1882
View across Olaf Rye's Square	1882
Olaf Rye's Square towards South East	1882
Landscape with Waterfall and House	1882
Evening Atmosphere at Sea	1882
Landscape with a Small Waterfall	1882
Spring Landscape	1882
Stream in Spring	1882
Karen Bjølstad	1882-83.
Man's Head with Beard	1882-83.
The Errand Boy	1882-84.
Garden with Red House	1882
Garden with Red House	1882
By the Garden Table	1882
Akerselva by Slåmotgangen	1882
Inger by the Window	1882
Akerselva by Nedre Foss	1882
Akerselva	1882
Birch Trees with Woman Walking	1882
Birch Trees in the Autumn	1882
From Vestre Aker	1882
Birch Trees and Man Carrying Twigs	1882
Autumn in Vestre Aker	1882
Woman on a Country Lane	1882
Two Boys on a Country Lane	1882
Thorvald Torgersen	1882
Thorvald Torgersen	1882
Head of a Boy	1882
Andreas Reading	1882
Andreas Reading	1882
Andreas Reading	1882
Self-Portrait	1882
Drive at Vaterland	1882
From Saxegårdsgate	1882
Laura Munch	1883
Otto Linthoe	1883
Study of a Man's Head	1883
Study of an Old Man's Head	1883
Head of an Old Man with Beard	1883
Study of an Old Man's Head	1883
Afternoon at Olaf Rye's Square	1883
Street Corner on Karl Johan, Grand Cafe	1883
Christian Munch on the Couch	1883
Landscape from Asker	1883
Autumn in Asker	1883
Andreas by the Window	1883
Andreas Reading	1883
The Dome of Trinity Church	1883
Study of a Head	1883
Early in the Morning	1883
Andreas Singdahlsen	1883
Hjalmar Borgstrøm	1883
Portrait of a Woman	1883
Karen Bjølstad in the Rocking Chair	1883
Around the Paraffin Lamp	1883
At the Coffee Table	1883
At Supper	1883
The Infirmary at Helgelandsmoen	1884
Fence in the Forest	1884
Two People on the Way to the Forest	1884
Morning	1884
Christian Munch	1884
Portrait Studies	1884
Inger Munch in Black	1884
Street in Winter	1885
Ball	1885
Tete - a - Tete	1885
Karl Johan	1885
Girl's Head	1885
Dagny Konow	1885
Study of an Old Man's Head	1885
Fredrik Lidemark	1885
Karl Jensen-Hjell	1885
Klemens Stang	1885
Christian Munch with Pipe	1885
Karen Bjølstad	1885
Jørgen Sørensen	1885
Andreas Munch	1885
Cabaret	1885
The Sickroom	1885
The Sick Child	1885
Red-Haired Girl with White Rat	1886
Girl at the Piano	1886
Self-Portrait	1886
Andreas Munch Studying Anatomy	1886
Afternoon Nap	1886
Boat with Three Boys	1886
Man on the Veranda	1886
From Hisøya near Arendal	1886
Woman and Children in Arendal	1886
Thorvald Torgersen	1886
Puberty	1886
The Day After	1886
Seated Young Girl	1887
Betzy Nilsen	1887
Halvard Stub Holmboe	1887
Jacob Torkildsen	1887
Forest Landscape with Small Lake	1887
Veierland is near Tønsberg	1887
Two Men by the Window	1887
Law	1887
Kristiania Bohemians	1887
Self-Portrait	1888
Marius Selmer	1888
Bendix Lange	1888
Beach	1888
The Tønsberg Fjord	1888
On the Pier	1888
Man Binding Fishnet	1888
Karen Bjølstad	1888
Evening	1888
Summer Day on the Pier	1888
Laura and Inger in the Summer Sun	1888
Evening	1888
Inger in Sunshine	1888
At the General Store in Vrengen	1888
Andreas Bjølstad	1888
Aasta Carlsen	1888
Man Standing in the Doorway	1889
Karl Dørnberger	1889
Charlotte Dørnberger	1889
Georg Stang	1889
John Hazeland on his Deathbed	1889
Spring	1889
Hans Jæger	1889
From Karl Johan	1889
Music on Karl Johan	1889
Beach Landscape fromÅsgårdstrand	1889
Beach	1889
From Åsgårdstrand	1889
Beach Landscape	1889
Shore	1889
Summer Night. Inger on the Beach	1889
Summer Evening	1889
Summer	1889
Summer in Åsgårdstrand	1889
Morten Damme's House near Åsgardstrand	1889
Standing Female Nude	1889
A French Tavern (Two Men and a Woman)	1890
The Canal near Paris (with a Small Streamboat)	1890
A Woman (in Half-figure) with Landscape (Returned from Victoria terrasse)	1890
A Small Beach Study	1890
Night in Saint-Cloud	1890
The Seine at Saint-Cloud	1890
The Seine at Saint-Cloud	1890
The Seine at Saint-Cloud	1890
The Seine at Saint-Cloud	1890
The Seine at Saint-Cloud	1890
The Seine at Saint-Cloud	1890
The Seine at Saint-Cloud	1890
The Seine at Saint-Cloud	1890
The Seine at Saint-Cloud	1890
At the Wine Merchant's	1890
In the Bar	1890
In the Cafe	1890
Norwegian Spring Landscape	1890
Landscape	1890
The Streamboat Arrives	1890
Beach	1890
Spring Day on Karl Johan	1890
Sunny Day in Åsgårdstrand	1890
Garden Path	1890
Woman in Evening Landscape	1890
Landscape	1890
View from Hauketo	1890
View from Hauketo	1890
Landscape	1890
The Absinth Drinkers	1890
Two Children	1890
Under the Palm Trees in Nice	1891
Afternoon on the Promenade des Anglais	1891
Morning on the Promenade des Anglais	1891
Sunny Day in Nice	1891
Rooftops in Nice	1891
Night in Nice	1891
Fisherboy from Nice	1891
Boy's Head	1891
Young Woman in Blue	1891
Young Woman in Blue	1891
Model Scratching her Arm	1891
Rue Lafayette	1891
Rue de Rivoli	1891
Sunday in Åsgardstrand	1891
Young Blond Girl	1891
Summer Evening in Åsgardstrand	1891
In Open Air	1891
Summer	1891
Eroticism on a Summer Evening	1891
Karl Johan in the Rain	1891
Evening. Melancholy	1891
Woman in Blue against Blue Water	1891
Old Fisherman	1891
Pine Forest	1891
Summer Day in the Forest	1891
Forest Landscape	1891
From Nordstrand	1891
Landscape in Moonlight	1891
Woman by the Balustrade	1891
Inger in a White Blouse	1891
no:Jappe Nilssen	1891
Arve Arvesen	1891
Gunnar Heiberg	1891
Helge Rode	1891
Olga Buhre	1891
Alexandra Thaulow	1891
Kiss by the Window	1891
The Day After	1891

Munch Museum , Oslo, Norway	1892
Childhood Memory	1892
Gamblers in Monte Carlo	1892
Gamblers in Monte Carlo	1892
At the Roulette Table in Monte Carlo	1892
Sick Mood at Sunset. Despair	1892
Cypress in Moonlight	1892
Kiss by the Window	1892
The Kiss	1892
The Girl by the Window	1892
Woman Combing her Hair	1892
Woman Looking in the Mirror	1892
After the Bath	1892
From the Riviera	1892
From the Riviera	1892
Moonlight by the Mediterranean	1892
A Pine	1892
Trees by the Mediterranean	1892
From the Riviera	1892
Men Flocking round Women in Light Clothing	1892
Forest	1892
Moonlight on the Beach	1892
Mystery on the Shore	1892
Mystery on the Shore	1892
Two Human Beings. The Lonely Ones	1892
Melancholy	1892
Night in Saint-Cloud	1892
Night in Saint-Cloud	1892-93.
Night in Saint-Cloud	1892
Vision	1892
The Water Lillies	1892-93.
Evening on Karl Johan	1892
From Nordstrand	1892
On the Veranda	1892
Inger by the Window	1892
Inger in Black and Violet	1892
Seated Young Woman	1892
Autumn Rain	1892
Jakob Bratland	1892
Ludvig Meyer	1892
Thor Lütken	1892
Ragnhild and Dagny Juel	1892-93.
August Strindberg	1892
Night in Saint-Cloud	1893
The Girl by the Window	1893
Study of a Model	1893
Separation	1893
Woman with Red Hat	1893-94.
Symbolic Study	1893-94.
Portrait of a Man	1893-94.
Woman's head against a red Background	1893-94.
Self-Portrait under the Mask of a Woman	1893
Seated Nude and Grotesque Masque	1893
Sunrise in the Harbour	1893-94.
Rosa and Amelie	1893
Sunrise in Åsgårdstrand	1893-94.
Summer Night	1893
Melancholy	1893
Death at the Helm	1893
Summer Night. Mermaid	1893
Summer Night's Dream. The Voice	1893
Starry Night	1893
Starry Night	1893
Moonlight	1893
House in Moonlight	1893-95.
The Storm	1893
Death and Spring	1893
The Angel of Death	1893
By the Deathbed. Fever	1893
Death in the Sickroom	1893
Death in the Sickroom	1893
Death in the Sickroom	1893
Vampire	1893
The Scream	1893
The Scream	1893
Vampire	1893
Vampire	1893
The Hands	1893-94.
Dagny Juel Przybyszewska	1893
Helge Bäckström	1893
Minchen Torkildsen	1893
Ragnhild Bäkström	1894
Botho Graf Schwerin	1894
Ebehard von Bodenhausen	1894
Julius Meier-Graefe	1894
Separation	1894
Death and Life	1894
Puberty	1894
Puberty	1894-95.
The Day After	1894
Vampire	1894
Selma Fontheim	1894
Selma Fontheim	1894
Nora Mengelberg	1894
Ludvig Meyer 's Children	1894
Stanislaw Przybyszewski	1894
Inger in a Red Dress	1894
Bathing Women	1894
Bathers	1894
Bathing Boys	1894
Melancholy	1894
Melancholy	1894-96.
Woman. Sphinx	1894
Woman	1894
Anxiety	1894
Despair	1894
Madonna	1894
Madonna	1894-95.
Madonna	1895
Madonna	1895-97.
Madonna	1895-97.
Berlin Model	1895
Cabaret	1895
The Scream	1895
Vampire	1895
The Smell of Death	1895
The Smell of Death	1895
At the Deathbed	1895
Vampire	1895
Ashes	1895
Jealousy	1895
Beach in Åsgårdstrand	1895
Moonlight	1895
Self-Portrait with Cigarette	1895
Stanislaw Przybyszewski	1895
Oscar and Ingeborg Heiberg	1895-96.
Half-Nude in a Black Skirt	1896
Study of a Nude	1896
Young Woman Washing herself	1896
Seated Nude against a Red Background	1896
Seated Nude with her Back Turned	1896
The Mermaid	1896
Summer Landscape	1896
The Sick Child	1896
Separation	1896
Summer Night. The Voice	1896
The Girl by the Window	1896-97.
Bathing Woman	1896-97.
The Kiss	1896-97.
Women in a Swimming Pool	1896-97.
Paul Herrmann and Paul Contard	1897
The Kiss	1897
The Kiss	1897
Inheritance	1897-99.
Women in Hospital	1897
Mother and Daughter	1897-99.
Two Women in a Landscape	1897-99.
Old Man with a Beard	1897-99.
Brothel Scene	1897-99.
Hospital Ward	1897-99.
Bathing Boys	1897-98.
Bathing Boys	1897-99.
Bathing Girls	1897-99.
Bathing Children	1897-99.
Bathing Boys	1897-99.
Autumn	1897-98.
Marie Helene Holmboe	1898
Female Portrait	1898-99.
Dark-Haired Man and Red-Haired Woman	1898-99.
Holger Drachmann	1898
Henrik Ibsen at the Grand Cafe	1898
Study of a Model	1898
Half-Nude in a Blue Skirt	1898
Nude	1898
Nude	1898
Two Women. Symbolic Study	1898
Sitting Nude by the Beach	1898
Man and Woman	1898
Nude in Profile towards the Right	1898
Metabolism	1898-99.
Tulla Larsen	1898-99.
Tulla Larsen	1898-99.
Father and Son	1898
Seated Nude and Three Male Heads	1898-99.
Tragedy	1898
Jealousy in the Bath	1898
Beach	1898
The Rainbow	1898
Woman by the Sea in Åsgardstrand	1898
House with Red Virginia Creeper	1898-99.
House with Red Virginia Creeper	1898-99.
Red Virginia Creeper	1898-1900.
The Son	1904
The Coffin is Carried Out	1898-1900.
Boulevard in Paris	1898-1900.
Winter	1899-1900.
Winter in the Woods, Nordstrand	1899
Death and the Child	1899
Death and the Child	1899
Landscape	1899
The Garden	1899
Munch's House and Studio in Åsgardstrand	1899
Munch's House in Åsgårdstrand	1899
Dark Spruce Forest	1899

Style characteristics

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EDITOR

Paintings by Edvard Munch (4 photos)

Edvard Mondor takes life, death, love, terror and loneliness as themes, using strong lines of contrast, Color block Concise and exaggerated modeling to express their feelings and emotions; His painting style is German and Central Europe A prelude to the formation of expressionism.

Edvard Munch's early oil paintings Sick child ", "At the Deathbed", "Mother's Death", mostly memories of childhood and teenage life. The oil paintings "St. Cloud Nights" (1890) and "Carl John Street Nights" (1892) marked a turning point in his style, showing his expressionist qualities. The 1990s are the most representativeness His works are "Love in Spring" and "The Scream", the former depicting people Put under house arrest The latter describes people's fear of loneliness and death. He began his printmaking career in 1894, working in woodcuts, lithographs, Copperplate print There are unique creations. Most of his prints are based on oil paintings, including Life. A series of paintings The most remarkable, which he himself called the poem of life, love and death.

During his career as a painter, Edvard Munch changed his style several times. In the 1880s, Edvard Munch was a naturalist and half impressionism . In 1892, Edvard Munch established the original style of integrated painting with his personal characteristics, in which color became a symbol and an element with a bearing function. In the 1890s, Edvard Munch preferred Depth of Field In the shallow painting space, he often placed the figures in his paintings at the front desk.

Edvard Munch always wanted to show what was inside his characters Mental state The figures appearing in his paintings present the posture that can best express this state, and this arrangement makes Edvard Munch's paintings bring a feeling as if people, air, memory, action and time were frozen in a moment, which may be the moment when the inner activities of the figures reach their peak.

For the characters painted by Edvard Munch, like the characters in a play, it is likely that each particular posture represents a particular emotion, similar to a certain Body language . Since the figures Edvard Munch painted were on a mission to represent a particular state of mind, the men and women he created were not realistic. Edvard Munch insisted that Impressionism was not suitable for his art. He is not interested in describing any cross-section of reality, but rather in describing a state that is full of emotional connotations and has great expressive power. In order to achieve this, Edvard Munch worked hard to conceive, and his work created tension. ^[2]

Character evaluation

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EDITOR

Edvard Munch's works are bold and colorful, but they give people a strong sense of stimulation, full of tension, depression and sadness. The world described by Edvard Munch is the complex spiritual world of human beings. He deliberately expresses death, depression and loneliness, and describes the doubts and anxieties of the lonely hearts of artists in the reality full of contradictions and pains at the end of the last century.

Art historians have called Edvard Munch the artist of the "end of the century" because his work reflected the spiritual life of an entire generation in Europe. In Edvard Munch's time, no other art could penetrate into the human soul as he did, showing the beauty and ugliness of that soul to the world. No one dared to describe the ugliness of human instinct as he did, making good and evil coexist, beauty and ugliness coexist. ^[3]

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