Southern opera

[nán xì]
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South Opera, is China The Northern Song Dynasty (960-907) From the end of the Yuan Dynasty to the beginning of the Ming Dynasty, that is, from the 12th to the 14th century, 200 years in China Southern region The earliest rising Han nationality Traditional Chinese opera . Southern opera A surname and The names of tunes to which Qu is composed It is an early form of dramatic expression with song and dance stories as the main body. After the emergence of the southern opera, it soon spread to the north and south and evolved into Sea salt chamber , Yuyao opera , Kunshan opera , Yiyang opera " Four sound cavities ", affecting the Yuan Ming and Qing dynasties. [2]
The South Opera is in Rap literature On the basis of the formation. The southern opera tells a long story in the form of a series of Qupai, which synthesizes the numerous stories of the time Art form , for example Song Zaju opera , Puppet show , vaudeville , Earn money by singing Et al. Modes of classical Chinese opera Etc. [2] . Southern opera has a variety of different names, the south called" An ancient Chinese opera There are also names such as Wenzhou opera, Yongjia Opera, Uighur Voice Cough, and Nanqu opera, which are also called "legends" in the Ming and Qing dynasties. Legends of Ming and Qing Dynasties ").
For its music Southern opera On the other hand, it is an important Han Chinese opera Sound cavity system , for many that followed Voice opera For example Sea salt chamber , Yuyao opera , Kunshan opera , Yiyang opera The foundation of the rise and development of various since Ming and Qing dynasties Local opera The prosperity provides abundant nutrition in China Opera art In the history of development, it is of great significance.
Chinese name
Southern opera
alias
An ancient Chinese opera , Legend , Wenzhou opera , Yongjia Opera
categorize
Traditional Chinese opera
Generation time
From the end of Northern Song Dynasty to the end of Yuan Dynasty to the beginning of Ming Dynasty
Place of production
Zhejiang (Province) Wenzhou
Distribution area
South China ( Zhejiang (Province) , Jiangsu (Province) , Jiangxi (Province) )
Representative play
" The Story of Pipa "," Moon worship pavilion "

Development course

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EDITOR
After the emergence of the southern opera, it soon spread to the north and south and evolved into Sea salt chamber , Yuyao opera , Kunshan opera , Yiyang opera Wait for" The four major dialects of Southern opera ". [2]
South Opera "Moon Worship Pavilion"
The production time of the southern opera was actually earlier than Northern melody A local opera. Ming Dynasty Zhu Yunming In... sluttery "The Southern opera originated after Xuanhe (1119 ~ 1125) and at the time of Nandu (1127), it was called Wenzhou Opera. I have seen the old ultimata, which was banned by Zhao Hong's husband at that time, and there are quite a few titles, such as Zhao Zhen's Daughter CAI Erlang, and so on." Zhao Hongfu is Song Guangzong Zhao Dun The same cousin, he issued a ban on the performance of southern opera, indicating that the influence of southern opera has been greater at that time. Xu Wei Narrate of Southern Ci "The Southern opera began in the Guangzong Dynasty of the Song Dynasty (1190 ~ 1195), when the Yongjia people wrote" Zhao Zhennu ", "Wang Kui" two kinds of real head. ... Or cloud: Xuanhe has already started, its prevalence is from the south crossing. The name Yongjia opera, also said the voice of the voice is cough." It can be seen that the South Opera was founded by Wenzhou artists after Xuanhe Song Guangzong The dynasty has spread to the capital Lin 'an (now Hangzhou), popular in Jiangsu and Zhejiang areas.
In 1268 (four years of Xian Chun), there was more Imperial student Huang Kedao Wang Huan An ancient Chinese opera Popular in the city. By the end of the Southern Song Dynasty, Southern opera had expanded to Jiangxi (Province) Nam Phong And so on, yuan Liu Xun " Shuiyun village draft Volume 4 of the Biography of Poet Wu Yongzhang says: "To Hamchun (1265 ~ 1275), the Yongjia opera appeared, poured the youth into it, and then the lewd Waxing, the Zhengyin ceased." It can be seen that at that time, the opera was quite popular with the people, but the literati excluded it from the "right Yin".
In Song Dynasty, the city prospered, the economy developed, and the citizen class rose Vacher It has provided favorable conditions for the development of many folk arts. After crossing from the south, the Song Dynasty made its capital Lin 'an. Civil and military officials They moved south.
Wenzhou It was the most prosperous commercial city in the Southern Song Dynasty except Hangzhou. Emperor Gaozong of Song At the beginning of Nandu, in order to avoid Jin Bing, he had floated to Wenzhou to" State government For the palace "( " Annals of Wenzhou Prefecture " ), even put The Imperial Temple Also moved to Wenzhou ( " History of the Song Dynasty " ). The northern gentry and civilians came to Wenzhou one after another, and the population of Wenzhou increased by half in a short time. city Consumer population Increasing day by day, further boost Wenzhou Commercial economy The development of... At the same time, all kinds of artists are also coming, and all kinds of folk arts gather here, influencing each other and promoting each other. A new style of art Southern opera An ancient Chinese opera It is gestation and germination in such soil.
Southern opera
The South Opera is in Song Zaju opera Foot color system is complete after the narrative Rap literature Emerged on a highly mature basis. It is the Han folk artistes "to song people's words and benefit the lane songs" ( " Narrate of Southern Ci " Form the Qupai linking system, with presenter In the form of a long story, thereby creating a kind of Emerging art Style. In terms of form, it synthesizes many tricks of the Song Dynasty, such as Song Zaju opera , Shadow play , Puppet show , vaudeville , and Earn money by singing , Pester order And the merits of the performance, versus A style of songs in the palace The relationship is even closer. All the folk arts in the Song Dynasty were absorbed by the Southern opera, and rap literature was one of them Narrative mode The main source.
Because it is on the basis of the mature development of other tricks, but also can take advantage of the advantages, so it can come behind; In addition, since there were many places for other chi arts to communicate with the Southern Opera in their performances, Chi arts actors could also master the emerging Southern opera skillfully. When the Southern opera was popular with the audience, they changed their ways and became Southern opera actors. The rapid expansion of the performance team also promoted the multiplication of southern opera in the southeast.
Southern opera sings in the southern tone, divided into the four voices, unlike the northern song into the three voices, the rhyme is also more relaxed, and the system is with Northern melody Zju is different. In the early stage of the southern opera, although there is a certain convention, but has not formed a strict palace tune organization, you can make a more free choice according to the needs of the plot. Nanqu is gentle and graceful Musical style It is suitable for singing the story of love, which is very different from the lofty vigor of Northern song and suitable for the expression of mighty and bold spirit. With instrumental accompaniment, the northern opera is mainly composed of strings, while the southern opera is mainly composed of wind music, drums and plates.
There can only be one singer in a drama show, and any role in the southern opera can sing, and there are solo singers, duets, singing, singing together, and backstage to render the atmosphere Accompaniment to the tune of a Chinese opera Chorus. The flexible and changeable form of singing can not only adjust the actors' work and rest, activate the atmosphere on the field, but also contribute to the performance of various roles Thought and feeling It is conducive to the characterization of characters with different identities and personalities. In terms of structure, it takes "out" as the unit, the characters go up and down the field, out and back in, called an "out". A play is often dozens of long, and the performance time takes a day or even several days. southerly Climatic condition It provides convenience for all-night performances.
Southern opera
The operas of the Southern Song Dynasty can be examined in "Zhao Zhen's daughter CAI Erlang", "Wang Kui", "Lechang Mirror", "Chen Inspects Mei Ling and loses his wife", "Wang Huan", "Zhao Zhen's Wife". Zhang Xie No.1 ", etc. Except for "Zhang Xie No.1 Yuan", there are no copies. Most of these plays were written by talented people in the book club, and "scholastic officials rarely paid attention" (" Scholars "). Narrate of Southern Ci Some literati even regarded the southern opera as the voice of the subjution of the country. So, in the north, Guan Hanqing , Magnolia officinalis , Wang Shifu Some writers with high cultural level devote themselves to the creation of zju, and the masterpieces in the northern circle are numerous, while in the southern circle, the southern opera is still in the naive stage and cannot be improved. The text of the early drama South opera remains very few, which is also related to these circumstances.
According to today's search, Song and Yuan southern opera There are more than two hundred and thirty kinds of records, among which there are 19 kinds of manuscripts and 130 kinds of lost songs. From the existing repertoire, the theme of love, marriage and family disputes accounts for the largest part, while the hero theme of gold and iron horses is extremely rare. Obviously, the characteristics of Nanqu music affect and restrict the writer's choice of creation.
Early Southern opera Zhang Xie No.1 "," The son of a nobleman has taken the wrong position "," Xiao Suntu "Was included in" Yongle Grand Festival "Was preserved, and is collectively known as" Yongle Grand Festival three kinds of drama ". Among them, "Zhang Xie Champion" is the Southern Song Dynasty Jiushan Mountain in Wenzhou It was created by the talent of the book club, and its story is from A style of songs in the palace In the transplant. It is the only fully preserved Southern Song opera, Very precious .
After the Yuan destroyed the Southern Song Dynasty, a unified situation was formed. With the political and military forces of the North entering the south, the influence of the northern Zaju also rapidly expanded to the south of the Yangtze River, and the southern drama Circle with the southern opera centered in Hangzhou, Zaju won the favor of the southern audience with its fresh content and concise form. Compared with the highly literary drama, the southern opera is obviously dwarfed. The southern opera declined for a time. But it didn't last long. The southern opera, which is rooted in the southern people, still has a wide audience. At the same time, due to the convergence of the two operas in the north and the south, the mutual exchange was promoted.
Dramatist such as Xiao Dexiang And so began to pay attention to and involved in the creation of southern opera, "there are southern operas, popular streets." There are also southern operas "( " Ghost book " ); Deng Jude, a native of Dadu (Beijing), compiled the opera and wrote it in mostly Longfu Temple ( qing Zhang Dafu Music of Han Shan Actors such as Longlou Jing, Red Chi show "specialized production of South opera", after furong show, "not under the two beauty, and can drama, especially outstanding" ( yuan Natting Chi " brothel " ); Shen Hefu created the way of "North and South combination", so that the hardness of the north and the softness of the South can be compatible and enriched the expression of the music. cyrtomite Yang Zi and others participated in the improvement of the singing of the southern opera. In addition, the form of southern opera is more flexible and free, unlike northern opera, which is limited by one singer and only 40 percent of a copy, so it is easy to adapt and transplant the works of Zju and learn from the literary techniques of Zju.
With the improvement of the southern opera in the art, the superiority of the singing form was gradually revealed, and people's interest also shifted from the drama to the southern opera. Therefore, in the late Yuan Dynasty, he turned to "pro-south and sparse north, the author Weixing" (" Narrate of Southern Ci "), like Gaoming ( Takazesato ), Shi Hui and other well-known literati and writers also participated in the creation and adaptation of the Southern opera, resulting in the" The Story of Pipa "," Moon worship pavilion "And a number of famous works, marking Yuan Dynasty southern Opera After the drama went into a prosperous period. [1]

Characteristics of southern opera

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EDITOR
Compared with the drama and legend, the southern opera has the following characteristics:
Singing, dancing, The spoken part of a Chinese opera Coe Fan in a furnace, perform a complete story. Due to the twists and turns of the story, the script is generally long, several times as long as the drama. The length of a south opera can reach more than fifty, and the short one is twenty or thirty. As... Yongle Grand Festival three kinds of drama In "," Zhang Xie No.1 "Fifty-three long," The son of a nobleman has taken the wrong position The shortest, only fourteen. Generally, there are four "titles" before the first sentence, which summarizes the general idea of the plot. In many cases, the South Opera can be long or short according to the needs of the plot, and has greater flexibility.
Southern opera uses southern tunes, rhythms, Modes of classical Chinese opera There are no strict regulations, no restrictions on palace tone, and can be used at any time anamorphosis . Musical Instruments to clappers Main. The delicate and euphemistic characteristics of Nanqu make it more suitable for singing the story of love and tenderness. Generally adopt The pentatonic scale . Wenzhou After the formation of the southern opera, it spread throughout the southeast coast, because of the differences in local folk singing, and gradually formed different Nanqu tunes, such as Sea salt chamber , Yuyao opera , Yiyang opera , Kunshan opera .
The roles of the southern opera are mainly born, Dan, net, end, ugly, outside, stick and other seven, singing methods are relatively free, rich in changes, there is no provision of a lead singer, according to the needs of various roles can sing, and created solo , duet, rotation, chorus, etc Singing form . This way of singing is much more reasonable than the form of a single lead singer in the drama, and is more conducive to expressing the complex story content and character . In the use of Qupai, the South opera has formed some fixed habits.
The South Opera not only uses the South opera, but also absorbs it Northern melody The Qu card, created" North south sleeve "The form. The application of the south-north combination has enriched the music of the southern opera and has a great influence on its south-north combination.

Musical form

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EDITOR
The musical structure of the southern opera is based on the script in general, and the main characters are divided into two stages, each beginning and ending by itself, which is called "out" or "fold". A play can be as long as dozens of plays, and the use of Qu cards and sets is more flexible and free. First from the end of the introduction of the plot, called "the end of the opening". Since the second play, the main play begins, the main and secondary characters appear again and again, and various sizes of hot and cold scenes match each other, and the drama contradictions gradually unfold until the climax is formed. The last one End of a performance The next poem, which comments on the nature of the whole play, is the end.
Southern opera
South Opera originated from the Han folk. In its early stage, it had a simple structure, lively and free form, and only 3 or 4 characters. After entering the city, the script grew and the characters could reach dozens of people. The role branch is also gradually detailed and clear, the basic line of life, Dan, net, ugly, outside, the end, paste 7, and widely absorbed A style of songs in the palace Sing to earn, poetry Song Dynasty Opera, Yuan zaju opera the tune , form, expression method and performance skills.
Such as the absorption of lyrics and tunes of singing and Qupai; The combination of lyric and narrative singing and the method of connecting Qupai to absorb Zhugong tunes and sing to earn; The absorption of speech, singing, comical, comical Army play , drama and school ; The absorption of singing and dancing, Jumping bamboo Let's wait. Its singing, its chanting, Kofang The performing arts, such as dance, were also influenced by the drama and other arts, and gradually developed to Mature stage , both wholeness Harmonious and consistent, and can play their own strengths, and gradually form a complete performing arts system and procedures.
The voice of the South opera began in Han folk songs On the basis of the formation. The original southern opera was a folk opera of the Han nationality with songs and dances, which was linked to a number of folk songs, and only after entering the city did it "integrate the small skills of the village with the ancient law department" (Xu Wei's words, the ancient law Department refers to the Tang and Song Daqu) and was widely absorbed Traditional music The beneficial components, to maturity. Wang Guowei Statistics of more than 260 songs in Southern opera, 190 from Tang and Song Ci, 24 from Daqu, 13 from Jin Zhugong tune, 10 from Southern Song singing, 13 identical with the Yuan opera, other 17, it can be seen that Ci tune plays an important role in southern opera. These songs are very popular, Opera in Kunshan Province , Gaoqiang, Liyuan Opera Some of the more ancient voice and opera, have retained the southern opera music legacy.

Four sound cavities

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EDITOR
China Ming Dynasty Nanqu system Haiyan cavity, Yuyao cavity, Kunshan cavity, Yiyang cavity name The four major dialects of Southern opera . The development of Chinese opera voice has a long history, and Haiyan cavity is the first of the four major southern opera voices. Xu Wei Published in 1559, the 38th year of Jiajing Narrate of Southern Ci The circulation area of the four voice tunes made such a record: "Today's singers called Yiyang tune, it came from Jiangxi, two Beijing, Hunan, Fujian, and widely used; Called Yuyao cavity, out of Kuaiji, often, run, pool, too, Yang, Xu use it; Called the sea salt cavity, Jia, lake, temperature, Taiwan with it; But Kunshan tune stops in Wuzhong, beautiful and distant, beyond the three tune above, listening to the most swinging people." It can be seen that the four major sound cavities have been formed before Jiajing, and in Areas south of the Yangtze River It was widely sung in the region.
Kunshan dialect is Sea salt The revitalization of the cavity after the decline, so there is "the old singing south, all said the sea salt, today the sea salt is weak and said Kunshan", the revitalization of Kunshan cavity, really depends on Grinding tempering The work, euphemism and delicate, beautiful long, to Wanli of Ming When, it is already "four songs, must zong Wumen". Yiyang cavity in the cavity of the Ming generation, has been circulating in the Han folk, has a strong vitality. Especially to the end of the Ming Dynasty, more to gain the audience's love, by attachment Kunqu opera The repertoire "Retune the song", to the independent creation of the repertoire, and gradually rival Kunshan opera.
The Southern opera was performed during the Xuanhe period of the Northern Song Dynasty (AD 1119 to 1125) Zhejiang Province After the appearance of Wenzhou area, due to its flexible form of performance, a play can be long or short, according to the content, unlike the limited drama Fold a wedge in four ; In vocal music Northern and southern music In addition, it can absorb the minor tunes of local Han folk music more flexibly, so the singing and singing music also appears Rich and colorful It is very popular with the audience, so after its formation, with the local dialect, Folk music The combination, and through the creation of artists produced a new tune, the Ming Dynasty after the spread of southern opera to all over the formation of a total of five systems, that is, the opera history books contained in the five tones. These five major voice are: Zhejiang Haiyan cavity, Yuyao cavity, Jiangxi Yiyang cavity, Jiangsu Kunshan cavity and Minyue cavity Tidal cavity .

Musical characteristics

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EDITOR
① The singing voice of the southern opera is called Nanqu, the tune belongs to the pentatonic scale, more smooth, has its usual characteristic tone, forming the characteristics of the singing voice of the southern opera. The rhymes used in the singing are basically southern Jiangsu and Zhejiang provinces One voice is the standard, there is a flat up into the difference, each set of music is not limited to a rhyme. The rhythm is regular and comfortable, with fewer words and more cavities. Its beat form, divided Fragmented slab , adagio In addition to being the same as the northern melody, Allegro also uses a slower beat, the complimentary plate (8/4 beat or 4/2 beat). Expressing the inner feelings of the characters is more profound and delicate. In addition, the early south song, as Xu Wei said, is a "rare rhythm" of the "one's heart" class, in the Ming Dynasty, the later period of the plate is strict, the formation of the number of plates and the position of the lower plate are customized fixed plate.
(2) The music structure was originally a folk song style, lively and free in form, and gradually developed into a qupai set structure. every divertimento Cards can be divided into introductions, overbending (middle main part) and epilogue 3 parts. Although it has a certain set of procedures, but in practical use is quite flexible, and create medley and North south sleeve The new methods to deal with the form and structure of the melody enrich and expand the original melody Expressive force .
The Southern Opera is right Modes of classical Chinese opera Although the use of more free; However, as a cycle structure, it is still necessary to consider the harmony and unity of the front and back connection in pitch, range and tune. Therefore, all kinds of qupai need to have certain belonging and categories, to provide convenience for the preparation of new tunes and actors singing. Therefore, the use of southern opera is relatively free, each set is not limited to one palace tune, which is in Opera music In the process of development is a kind of progress.
All kinds of roles in southern opera can be sung; In addition to solo singing, there are duet singing, chorus singing and "chorus". The solo song is used to express the inner feelings of the characters; Antithetical singing and simultaneous singing are used to communicate the thoughts and emotions between characters and promote the development of dramatic contradictions, and "chorus" is used to highlight the meaning. Accentuating the atmosphere and rendering the environment, these are enhanced theatricality An important technique. In the exchange between the North and the South, the south absorbed some of the North Singing skill In singing art has greatly improved.
(5) In the early stage, the singing of southern opera was mainly composed of folk songs. This kind of folk song often uses a plate to control the rhythm and set off the singing. Later, flute, drum, board as the main accompaniment instruments, such as the Ming Dynasty Shen Defu " Listen to the song miscellaneous words "Said:" Southern music does not rely on strings for rhythm." As for the addition of the sheng, pipa Three strings and so on for singing accompaniment, may be the Ming Dynasty after the situation.

Character trade

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EDITOR
The role of the South opera, usually living, Dan, net, ugly, end, outside, paste and other seven. Among them, Sheng and Dan are the main characters, and the other roles are supporting roles.
Student: The male protagonist in the play, usually plays the scholar, scholar, champion and so on.
Dan: A heroine in a play, usually a young woman.
Net: net capital has positive net sum subpurgation In the South opera, there is only a secondary net. Secondary purification originated in the Tang Dynasty Army play As a result, the characters he plays generally have the characteristics of clowning.
Ugly: The character played in the play is roughly the same as the net character, and is also a kind of character.
End: End also has Positive end and Minor terminal The South opera also has only the second end. The second is used as the opening act in the play, and the second is the secondary male character. The latter is opposite to the latter, and the latter is derived from the Cang Uighur in the army drama of the Tang Dynasty, so it also has the characteristics of buffoonery.
Wai: In the South Opera, the role of an elderly man, or an elderly woman.

Operas of southern opera

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EDITOR
Since the Song and Yuan Dynasties, there are 238 kinds of famous southern operas, and about 130 kinds of residual texts and lost songs have been circulated, but only 19 complete plays have been circulated.
The early southern opera works mainly focus on love, marriage and family life, and the main ones are "Love, marriage and family life." Yongle Grand Festival three kinds of drama ". Includes three plays: Zhang Xie No.1 "," Xiao Suntu "And" The son of a nobleman has taken the wrong position ". Among them, "Zhang Xie Champion" is the most complete existing early southern opera script, created 800 years ago in Wenzhou during the Southern Song Dynasty. Nine Hills Book Club In the opening words of "Full Court Fang", he wrote: "This book will win the title." intercession Dong Ou Grand event, Zhugong song out of reason."
Popular in the late Yuan and early Ming dynasties 荆钗记 ", "Liu Zhiyuan White Rabbit", "Liu Zhiyuan White Rabbit" Moon worship pavilion "And" Kill the Dog Collectively" Four southern operas It is a representative work of southern opera in the late Yuan and early Ming dynasties.
" The Story of Pipa "Is the peak of the development of southern opera, by Wenzhou Ruian people Takazesato From the Yuan Dynasty to Zheng Dynasty, according to the Southern Song Dynasty" Zhao Zhennu CAI Erlang was compiled and written. " The Story of Pipa In China History of theatre It is known as the "ancestor of lyrics and music", which is the bridge between the Southern Opera era and the legendary era Opera of Ming dynasty The impact of creation is profound. Other southern operas with complete copies: "The Story of the East Window", "The Story of the Kiln", "The Story of the Kiln" Liu Xibe Jin Hairpin ".
"Zhang Xie Champion" wrote the scholar Zhang Xie was in trouble when he was stolen, got the help of Wang poor woman, became husband and wife, and later went to the Beijing exam champion, ungrateful, did not recognize the poor woman, and wanted to kill her. Fortunately, the poor girl only injured one arm, and was adopted by the prime minister Wang Deyong, and finally reunited with Zhang Xie. This is a book condemning the scholar's unfaithful marriage and change of drama, and" Zhao Zhennu ", "Wang Kui" the same theme. But both condemn Unfaithful lover And want to ensure that the poor woman has a complete ending, can only take a conciliatory approach, the tragic consciousness fails to run through the end. This set a precedent for some writers in the late Yuan Dynasty to change the ending of the early tragic works of Southern opera to happy reunion.
"Zhang Xie Zhuangyuan" with the southern popular lyrics and folk songs singing, the opening of the first to rap Zhugong introduced, there are many stray outside the plot buffoonery Interspersed, these belong to the early characteristics of southern opera. Its plot is divided into two clues, which is the common practice of southern opera and legendary plays Double wire structure The prototype of... The character of the play, quite desirable, such as writing Zhang Xie's attitude towards poor women constantly changing, from the development of dependence on hardship to abandonment and even killing, layers of depth, quite detailed.
" The son of a nobleman has taken the wrong position ", edited by Gu Hang Cairen. write Jin State Henan province Tongzhi son Wanyan Shouma and wandering artist Wang Jinbang love story. Wanyan Shouma defied his father's life, disdained fame and career, followed the troupe "Chongzhou bumped house", and finally made his father agree to the marriage. The conflict between him and his father reflected the contradiction between the feudal orthodoxy and the freedom and equality of the citizens. According to... Ghost book "Recorded, Yuan Li Zifu , Zhao Wenyin There is a drama of the same name, and the Southern Opera is adapted from the drama.
" Xiao Suntu "Ancient Hang CAI people edited, but also based on the same name of the drama adaptation. This is a public case drama, exposing the confusion of the government and the lawlessness of the officials, and finally being exonerated by the famous duke. The melodies of the drama appear in the system of "North and south combined set", which shows that the southern opera has paid attention to absorbing the music of the drama to enrich itself.

Cultural value

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EDITOR
First, linguistic value. Compared with poetry, opera is often closer to spoken language. The Southern opera originated from the folk, the writers of the operas were mostly members of the book club, and the audience was mostly from the public class. This makes its language to a large extent influenced by the local dialect, and has the characteristics of colloquial. This is for us to study regionalism The Chinese dialects provide valuable materials, but also for the writing of the history of Chinese vocabulary retains a large number of easy to understand colloquial, colloquial, proverb, slang and so on.
Second, Social history Learning value. During the Song Dynasty, cities prospered, Economic development . The southern migration of the Song Dynasty, the emergence of national and class contradictions, and the urgent needs of the people all promoted the formation and development of opera. It is in this background that the southern opera was conceived and gradually matured. The texts of the Southern Opera reflect the social and historical situation at that time to a large extent, for example, in the plays "Zhao Virgin" and "Wang Kui", the author strongly criticized Feudal system The alienation of human nature of the lower literati and the persecution and disaster it brings to the good women express the dissatisfaction and resistance of the toiling masses to the dark society. In addition, from folklore From the perspective of Nan Opera, the dress habits, festival ceremonies, Folk belief And the plot of folk witchcraft and so on have precious research value.
Third, the value of music. According to records, the southern opera uses the southern melody, is not restricted by the palace tune, can change rhyme at any time, and mostly adopts the pentatonic scale. After the formation of the southern opera in Wenzhou, it spread widely in the southeast coastal areas. By the end of the Yuan Dynasty, it had multiplied into sea salt, Yuyao , Yiyang , Kunshan Such as four major voice as well as Fujian Quanzhou , Xinghua The South opera tunes of other places; His feet are seven kinds, such as life, Dan, Jing, end, ugly, outside and paste, and he has created singing forms such as solo, duet, rotation and chorus. In the use of Qupai, the South opera formed some fixed connecting habits, creating the form of "north and south together". [2]

Other information

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EDITOR

concept

Southern opera was popular in China during the Song and Yuan dynasties Southern region The traditional opera art of Han nationality sung with the southern opera. Folk name An ancient Chinese opera , or called the South opera, referred to as the South opera. Because it originated in Wenzhou (Yongjia) area of Zhejiang Province, it is also known as Wenzhou opera or Yongjia opera.

Generation time

Historically, there have been two different sayings:
(1) Wei Tan, "After Xuanhe (1119-1125), at the time of Nandu (1127)";
(2)" Narrate of Southern Ci "Begins Song Guangzong Dynasty (1190-1194) ".
(3) According to modern research, the southern opera should have originated in The Northern Song Dynasty (960-907) During the period of Xuanhe, Flourish in After the south crossing The Southern Song Dynasty Times. This is more credible, because the Southern Song dynasty was biased to Lin 'an (Hangzhou), which provided various conditions for the prosperity of Southern opera.

Origin Wenzhou

(a) At the end of the Northern Song Dynasty, politics was extremely corrupt, outside the Jin soldiers repeatedly invaded, inside the farmers have revolts, panic everywhere, the people are displaced, and Wenzhou is far from the southeast of Zhejiang, not killed by soldiers.
(2) Wenzhou "controls the mountains and the sea, and benefits both water and land", known as a foreign trade treaty port, with Bureau for foreign Shipping , kiln industry, Shipbuilding industry The copper and silk industries are especially famous.
(3) With the development of commerce and economic prosperity, Civic stratum They grew bigger and bigger and needed more and more culture and entertainment. Wenzhou area has long had a "Shang Song and dance" (" Shang Song and Dance ") Sui Shu · Geography ") tradition, folk and spread the "vulgar song lithic words", "She fire" more prosperous. All these are called the soil for the production of southern opera.

How to develop

(1) The Song Dynasty chamber crossed the south, built the capital Lin 'an, the northern population moved to the south on a large scale, only Liangzhe The population of the region increased by a third. Lin 'an and the southeast coastal cities, the rapid development of commerce, gathered a large number of officials, gentry merchants, artisan From a different Angle than a small trader, yeah Cultural life More extensive demands were made.
(II) At this time, National contradiction and Class contradiction One after another, intricate, so, vast Masses of the people They are pressing for better opera forms that reflect real life and express their wishes. In major cities, especially Lin 'an, there are many Tile bar As a fixed entertainment place, there are many "road" artists who perform anywhere and anytime, which are all kinds of north and south Performing arts Creating opportunities for competition and communication.
(3) With Vacher The prosperity of skills, a number of low-level literati and rudimentary artists, was established Book club Such as Wushu Book Club, Ancient Hang Book Meeting Etc., writing scripts specifically for the troupe. The actors of "Gongnan Opera" are also active on the stage.
(4) Therefore, the southern opera from the Wenzhou area into Lin 'an and other cities, constantly absorb a variety of artistic nourishment, enrich themselves, emerged a lot of good or relatively good new opera, to meet the requirements of the masses at that time, it is increasingly mature and developed.

Four stages

(1) Around the end of the Northern Song Dynasty, the Southern Opera began as a small play of Han folk song and dance.
(2) During the Southern Song Dynasty, Southern opera entered Lin 'an and other cities to absorb various artistic nourishment, such as Song Zaju opera , A style of songs in the palace , Earn money by singing , Big picture play Etc., developed into a drama. Today's "Zhang Xie Champion" is the southern opera works at this stage.
(3) From the early to the middle of the Yuan Dynasty, the southern opera prose and Northern Zaju Mutual exchange and mutual influence made the South opera improve again. The current edition of The son of a nobleman has taken the wrong position "And" Xiao Suntu ", are the southern opera works at this stage.
(4) At the end of the first yuan and the beginning of the Ming Dynasty, the southern opera had a more prominent development, while the northern drama showed a trend of decline. " The Story of Pipa "And" Jing, Liu, worship, kill "and other famous plays of southern opera, appeared one after another.
2 This new development later became the Nan Opera system of the Ming Dynasty Four sound cavities (Sea salt chamber, Yuyao opera Yiyang Cavity, Kunshan opera The rise of) has laid a solid foundation.

Draw materials

According to the compilation of approachable, there are about 180 southern opera plays that can be examined, but they are handed down from generation to generation Script of southern opera It is less than one tenth of the total number of known South opera plays. They draw on a wide range of topics, including current events, history, folklore, Buddhist and Taoist stories.
(1) In terms of its ideological content:
1 Preach National integrity There is "East Window Story";
2 Expose the evil of the evil forces, there is Zujie;
3 Complaints of feudal oppression, there is "Cold Pavilion";
4 In praise of steadfast love, there are songs Worship of the Moon Pavilion ";
5 Describe the family changes in the chaos, there is "White Rabbit".
(2) Among them, the "unfaithful" play and the "disorderly separation" play are the most prominent. Because, in the Song and Yuan dynasties, the war was frequent, which caused the separation of the bones and flesh, and caused Moral concept and Social atmosphere The changes produced the new Social contradiction It was also concerned by many southern opera writers at that time.
(3) In addition, there are some propaganda of feudal morality, fatalism The Southern opera works, such as" Triadic notation ", "Huang Xiaozi" and so on.

Main feature

(a) The length is longer, with "field" as the basic organizational unit, one scene after another, until the end of the play.
(2) The beginning of the script, there are Title correction and Secondary opening .
(3) The southern opera is the main, and the northern Opera is used in between.
(4) For each play, the Qupai is not limited to one palace key, and the lyrics are not limited to a rhyme.
(5) All the roles on the stage can be sung, including solo singing, duet singing, rotation singing and chorus.
(6) The role is divided into seven colors: Sheng, Dan, net, end, ugly, stick and outer color, mainly Sheng and Dan.
(7) Accompanying instruments, including at least drums, flutes and clappers.
It can be seen that the South opera Art form , be Chinese opera An early, more mature art form.

Protective measure

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EDITOR
In October 2023, the List of National Intangible Cultural Heritage Representative Project protection Units was announced, and the Southern opera project passed the evaluation. [3]