catalogue
- 1Program form
- ▪Program background
- ▪Program competition system
- ▪Program feature
- 2Creative team
- ▪Season one
- ▪The second season
- ▪The third season
- ▪Fourth quarter
- 3Program list
- ▪Season one
- ▪The second season
- ▪The third season
- Chinese name
- I'm a singer.
- Foreign name
- I am a Singer
- Generic type
- Music competition program
- Chief guest
- Yu Quan , Han Lei , Han Hong , Coco Lee , Lin Zhixuan , Deng Ziqi , Li Jian , Zhang Xinzhe et al
- Production country/region
- Chinese mainland
- Direct performance
- billow (Seasons 1 to 4) , Du Yan (Season 3, Season 4)
- Production company
- Hunan Satellite TV program center
- Premiere time
- January 18, 2013
- Broadcast channel
- Hunan Satellite TV
- Broadcast time
- From 20:10 to 22:00 (Every Friday 22:00 (1st, 3rd and 4th seasons); Every Friday 20:10 (2nd season))
- Network playback platform
- Mango TV
- Broadcast status
- finished
- Duration per episode
- Approximately 90 minutes
- Issue number
- Season 1, Issue 13; Season 2 to Season 14
- Program title
- Libai Laundry detergent (first and second seasons); Libai Soap Liquid (third quarter); Kandian (Season 4)
- Music director
- Liang Qiaobo
- Season championship
- Yu Quan; Han Lei; Han Hong; Coco Lee
- Season runner-up
- Lin Zhixuan; G.E.M.; Li Jian; Zhang Xinzhe
- Season runner-up
- Yang Zongwei; Shila; Jung Soon-won; Huang Zhilie
In March 2011, "I am a Singer" was broadcast in South Korea, was praised by the president, and let a number of long-dormant strength singers of the performing arts career, in South Korea almost the local music scene reshuffled, each program by seven well-known singers performed seven songs almost dominated all music charts, so that record companies began to jointly protest, It is believed that this has greatly disrupted the pop music ecology, leaving idol groups with no escape. In September 2012, Hong Tao, producer of Hunan Satellite TV, began to make new project choices while producing the program "Changing Big Coffee Show", and took a fancy to this overseas program.
I am a singer including normal, resurrection (
The second, third and fourth seasons are breakout competitions
), Stadium Match (
The third and fourth seasons
), the semi-finals (Seasons 1 and 2), and the Battle of the King of Songs.
I'm the Singer's first season album
The first and second regular seasons were divided into five rounds, each consisting of two performances. Each round has 7 singers to participate in the competition, in the song selection, in addition to the first contestant can sing their own representative songs, other must cover other singers' songs. Each session is voted on by an audience of 500 people from five different generations, and expert consultants only comment on the performance of the singers, and do not participate in the scoring and screening. Every time the staff calculates the votes, there will be professional experts for on-site supervision, and the votes of each player are very serious and responsible to eliminate the phenomenon of black curtain. Each singer has a "manager", and the "manager" is usually the host of Hunan TV. The singer was eliminated, and the corresponding "manager" was eliminated. In addition, the show has no fixed host, and the host is usually a singer who participates in the competition.
After the seven singers sing in each episode, each listener chooses the three singers who they think are the best performers in the show. After the votes from the first and second rounds of each competition are added together, the contestant with the lowest cumulative vote percentage is eliminated from the seven-member lineup and replaced by a new singer. The eliminated artist performs as the final encore in the second phase after elimination, and the encore is no longer counted in the voting. The first season of the Resurrection invites the contestants who were eliminated from the show to compete for a second round, and the winner will compete against the remaining six contestants for Singer of the Year. In the second season, the new singers and the eliminated singers have to participate in the breakthrough competition, and the winners enter the King of Song competition.
I am the Singer Season 2 album
The elimination competition system of "I am a Singer Season 3" and "I am a Singer Season 4", on the basis of the regular competition, added the kicking competition after every two rounds of competition, and upgraded the competition system to the "2+1" mode. The first three rounds are three matches each, in order of qualifying, elimination and kicking. The final round consists of four matches, namely qualifying, elimination, breakthrough and finals. The goal of the show team is to change staff every time.
"I am a Singer" program group in line with the principles of fairness and innovation, set up a "bosom friend hearing panel", from the numerous TV viewers strictly select 500 audience with a certain musical accomplishment, understand music, understand music more appreciate music "bosom friend". 500 people were heard from five different generations. Unlike any previous music competition, the expert consultants only commented on the performance of the participating singers, and did not participate in the scoring and screening. Every time the staff calculates the votes, there will be professional experts for on-site supervision, and the votes of each player are very serious to eliminate the phenomenon of black curtain.
I am the Singer Season 3 album
|
Chief planner
|
Ouyang Chang Lin
|
Chief DIRECTOR
|
billow
|
|
plan
|
Zhang Huali, Li Hao
|
Producer
|
Du Yan
|
|
Production team
|
Hong Tao, Zhang Huali, Liu Xiangqun, Li Hao
|
director
|
Hong Xiao, Sun Li
|
|
Post editor
|
Dai Xin
|
post-toning
|
Xu Weida, Cao Yongjie, He Shengsheng
|
|
Modeling design
|
Takasawa
|
Program director
|
Xiong Bingbing
|
|
tuner
|
He Biao
|
Choreography coordination
|
Liu Xiaojing, Zhu Zhijian, Jia Ping
|
|
Subtitles
|
Huang Yanni
|
Special equipment
|
Deng Bingzhi, Chen Lin, Wu Junjie
|
|
Network communication
|
Xie Baofeng, Qi Gao, Li Ji, Lu Yiding
|
Make up
|
Guan Hong, Xie Yali, Fang Yan
|
|
Makeup guide
|
Luo Hongtao
|
outfit
|
Flower flower
|
|
Costume director
|
Huang Deping
|
property
|
Hanye
|
|
Artist coordination
|
Han Jing
|
Artist liaison
|
Zhuo Lu Shan, He Zhaohui, Miao Jie
|
|
Artist executive
|
LAN Qing, Xue Qingzhu
|
Production director
|
Wang Hao, Qin Jiang
|
|
Program scheduling
|
Du Dengguo, Lin Dan
|
Production coordination
|
Wang Yingqiu, Sun Jijun
|
|
Technical coordination
|
Han Jianzhi, Xiao Weihua, Zeng Hui, Gong Rulin, Wu Xingjin, Hu Xiaofeng
|
Technical overall planning
|
Zhou Lihong and Fu Lejian
|
|
Broadcast coordination
|
Zhang Heng, Huang Zhuofu
|
Broadcast control
|
Li Yuelong, Fang Lin, Yang Qiyong
|
|
Integral package
|
Hunan Satellite TV editor's office image department
|
Project promotion
|
Hunan Satellite TV editor office promotion department
|
|
Innovation overall planning
|
He Xiaoting
|
Publicity overall planning
|
Liu Chenliang
|
|
Program coordination
|
Zhou Hai
|
Channel planning
|
Ding Cheng
|
|
Overall coordination
|
Song Point
|
General producer
|
Zhu Deqiang
|
|
Marketing overall planning
|
Fan Xuwen
|
Technical director
|
Huang Wei
|
|
Supervise the production of
|
Li Hao
|
General producer
|
Ouyang Changlin, Zhang Huali, Liu Xiangqun
|
Note: The above is a partial list of creators, please check the end credits of each program for the full list. Reference materials:
[8]
|
Chief planner
|
Lv Huanbin
|
plan
|
Zhang Huali, Li Hao, Zhou Xiong
|
|
Chief DIRECTOR
|
billow
|
Producer
|
Shao Yan
|
|
director
|
Hong Xiao, Sun Li
|
Post-production supervision
|
Xu Bing
|
|
Post animation
|
Yang Fuwen
|
Post mix
|
Tian Kai
|
|
post-toning
|
Lao Xiangyuan
|
Program director
|
Xiong Bingbing
|
|
Subtitles
|
Chen Yu, Lu Dian 袆, HUANG Yanni
|
lamplight
|
Yang Yu, Chen Fang, Ding Guannan, Ding Suijun, Wu Weixiong
|
|
Sound design
|
He Xiong
|
post-production
|
Sammo Hung, Yan Minjie, Li Yalin, Duan Qing, Duan Meiling
|
|
Makeup directing
|
Luo Hongtao
|
outfit
|
Flower flower
|
|
Costume director
|
Huang Deping
|
property
|
Hanye
|
|
Production director
|
Qin River
|
General producer
|
Zhu Deqiang
|
|
Supervise the production of
|
Li Hao, Zhou Xiong
|
General producer
|
Lv Huanbin, Zhang Huali
|
Note: The above is a partial list of creators, please check the end credits of each program for the full list. Reference materials:
[9]
|
Chief DIRECTOR
|
Hong Tao, Du Yan
|
Executive director
|
Hong Xiao, Sun Li
|
|
Program director
|
Xiong Bingbing
|
Camera director
|
Long Jianping, Chen Siru, Huang Shichuan, Gan Lei
|
|
Stage design
|
Tang Yan, Huang Yiru
|
Choreography coordination
|
Liu Xiaojing, Jia Ping, Zhu Zhijian
|
|
Lighting technology
|
Yang Yu, Zhou Yue-hui, DING Guan-nan, Chen Yao-rong
|
post-production
|
Sammo Hung, Zhao Chao, Yan Minjie, Duan Qing, Liu Xiaoxia
|
|
Makeup guide
|
Luo Hongtao
|
outfit
|
Flower flower
|
|
Costume director
|
Huang Deping
|
property
|
Zhou Ju
|
|
Artist coordination
|
Long Mei
|
Production director
|
Wang Hao, Qin Jiang
|
|
Production overall planning
|
Han Jing, Wang Ying ball
|
Broadcast coordination
|
Zhang Heng, Huang Zhuofu
|
|
Bulk packing
|
Hunan Satellite TV editor's office image department
|
Program Supervisor/General producer
|
billow
|
|
Program coordination
|
Wang Xubo, Feng Yingqi, Zhou Hai
|
Technical supervision
|
Zhou Lihong
|
|
General producer
|
Zhang Huali
|
producer
|
Lv Huanbin
|
Note: The above is a partial list of creators, please check the end credits of each program for the full list. Reference materials:
[10]
|
Chief DIRECTOR
|
Hong Tao, Du Yan
|
Executive director
|
Hong Xiao, Sun Li
|
|
Program director
|
Xiong Bingbing
|
Camera director
|
Long Jianping, Chen Siru, Huang Shichuan, Gan Lei
|
|
Stage design
|
Tang Yan
|
Choreography coordination
|
Liu Xiaojing, Jia Ping, Zhu Zhijian
|
|
Lighting technology
|
Yang Yu, Zhou Yue-hui, DING Guan-nan, Chen Yao-rong
|
post-production
|
Sammo Hung, Zhao Chao, Yan Minjie, Duan Qing, Liu Xiaoxia
|
|
Makeup guide
|
Guan Hong
|
outfit
|
Flower, often Meihui
|
|
Costume director
|
Huang Deping
|
property
|
Zhou Ju
|
|
Artist coordination
|
Long Mei
|
Production director
|
Wang Hao, Qin Jiang
|
|
Production overall planning
|
Han Jing, Wang Ying ball
|
Broadcast coordination
|
Zhang Heng, Huang Zhuofu
|
|
Bulk packing
|
Hunan Satellite TV editor's office image department
|
Program Supervisor/General producer
|
billow
|
|
Program coordination
|
Wang Xubo, Feng Yingqi, Zhou Hai
|
Technical supervision
|
Zhou Lihong
|
|
General producer
|
producer
|
Lv Huanbin
|
Note: The above is a partial list of creators, please check the end credits of each program for the full list. Reference materials:
[11]
See entry: I Am a Singer Season 1 program listing directory.
See entry: I Am a Singer Season 2 program listing directory.
See entry: I Am a Singer Season 3 program listing directory.
See entry: I Am a Singer Season 4 Program listing directory.
|
category
|
Competing singer
|
Singer introduction
|
Mango broker
|
End result
|
|---|---|---|---|---|
|
Debut singer
|
Masterpieces: Cold to the End, Running
|
Grand final champion
|
||
|
Chinese mainland female singer. Masterpieces: "Only You", "Waiting"
|
Final four
|
|||
|
Chinese mainland male singer. Representative works: Fragrance, Gone With the Wind
|
Fifth round eliminated, resurrection failed
|
|||
|
Chinese mainland female singer. Masterpieces: "Final Faith", "Migratory Birds"
|
Fourth round eliminated, resurrection failed
|
|||
|
Third round withdrawal
|
||||
|
Chinese mainland female singer. Masterpieces: "Waiting for You to Love Me", "Happy Hometown"
|
Third round eliminated, resurrection failed
|
|||
|
Hong Kong male singer, guitarist of the band Beyond. Representative works: "Really Love You", "The Sea and the Sky"
|
First round eliminated, resurrection failed
|
|||
|
Replacement singer
|
Second round replacement, second round elimination, successful resurrection, third place in the finals
|
|||
|
Third round, runner-up in the finals
|
||||
|
Chinese mainland male singer, former lead singer of Zero Point band. Masterpieces: Love Me or Not, Believe in Yourself
|
Third round pick, final seven
|
|||
|
Chinese Taiwanese female singer. Representative works: "Insight", "Taste"
|
The fourth round, the final six
|
|||
|
Chinese Taiwanese female singer. Representative works: "Old Dreams", "We Met Later"
|
The fifth round, the final five
|
Reference material
[12]
|
category
|
Competing singer
|
Singer introduction
|
Mango broker
|
End result
|
|---|---|---|---|---|
|
Debut singer
|
Chinese mainland male singer. Representative works: "Borrow to Heaven for Another Five Hundred Years", "Go Everywhere"
|
Li Rui
|
Grand final champion
|
|
|
Chinese Hong Kong female singer. Masterpieces: "The Continent", "The Bubble"
|
Final runner-up
|
|||
|
Chinese Taiwan male singer, host, actor. Masterpieces: "The Rain Keeps Falling", "The Trouble with the Moon"
|
Jiang Hongjie
|
Final six
|
||
|
Chinese mainland female singer and actress. Masterpieces: "Notes", "One Year Anniversary"
|
Final seven
|
|||
|
Malaysian male singer. Masterpieces: "Mr. Lonely", "Betrayal"
|
Tian Yuan
|
First round elimination, breakthrough, final four
|
||
|
Chinese mainland female singer. Representative works: "Come Back", "Whatever You Want"
|
Wang Qiao
|
Third round withdrawal
|
||
|
Chinese mainland female singer and actress. Representative works: "Devotion of Love", "Asian Heroes"
|
Du Haitao
|
Second round elimination, failed to break through
|
||
|
Replacement singer
|
Mainland Chinese male singer: "He Doesn't Understand", "Don't Forget Peace of Mind"
|
Shen Ling
|
Second round pick, final five
|
|
|
Malaysian Chinese male singer and actor. Representative works: "Palm", "Palm"
Love your responsibility
"
|
Shen Mengchen
|
Third round of replacement, third round of elimination, failure to break through
|
||
|
Fourth round, third place in the finals
|
||||
|
Wang Qiao
[17]
|
Fourth round of replacement, fourth round of elimination, failure to break through
|
|||
|
Fifth round of replacement, fifth round of elimination, failure to break through
|
Reference material
|
category
|
Competing singer
|
Singer introduction
|
Mango broker
|
End result
|
|---|---|---|---|---|
|
Debut singer
|
Grand final champion
|
|||
|
Chinese Taiwanese female singer. Representative works:
Love without guilt
","
Give me a reason to forget
"
|
Shen Ling
|
Final six
|
||
|
Li Rui
|
Final seven
|
|||
|
Chinese mainland male singer and music producer. Representative works:
A beautiful woman
"And" What Happened to Love"
|
Wu Yang
|
Elimination in the fifth round, breakthrough round, final six
|
||
|
Li Weijia
|
Elimination in the eighth round, exit from the competition
|
|||
|
Chinese Hong Kong male singer and actor. Representative works:
Love and sincerity
", "How to Think So Much"
|
Wang Qiao
|
The sixth phase eliminated, failed to break through
|
||
|
Singapore singer and actress. Representative works: "Hurt the Peace", "Hurt the Peace"
Cardiac pain
"
|
Tian Yuan
|
The second phase of elimination failed to break through
|
||
|
Replacement singer
|
Shen Mengchen
|
Second place in the fourth round
|
||
|
Seventh place, third place in the finals
|
||||
|
The tenth phase of the replacement, the breakout failed
|
||||
|
Gym singer
|
Liangtian County
|
The third stage failed to kick the pavilion, failed to break through
|
||
|
Zhang Dada
|
The sixth phase of the kicking hall success, the eleventh phase of elimination, breakthrough competition breakthrough, the final six
|
|||
|
The ninth stage failed to kick the pavilion, failed to break through
|
Reference material
|
category
|
Competing singer
|
Singer introduction
|
Mango broker
|
End result
|
|---|---|---|---|---|
|
Debut singer
|
Shen Ling
|
Grand final champion
|
||
|
South Korean male singer. Masterpieces: Dream With Me, Can't Live Without You
|
Third place in the finals
|
|||
|
Li Weijia
|
Final six
|
|||
|
Taiwanese female singer and music producer. Representative works: "Riding a White Horse", "Lost Sandbank"
|
Li Shaminzi
|
Final six
|
||
|
Chinese Taiwan male singer, actor, original
Shin
The lead singer. Representative works: "The Burning Loneliness", "Farewell Time"
|
The sixth phase eliminated, failed to break through
|
|||
|
Taiwanese male singer and music producer. Representative works:
To anyone who knows my name
"I'm Ugly But I'm Gentle"
|
Li Rui
|
The fifth round of elimination, failed to break through
|
||
|
Zhang Dada
|
The second phase of elimination failed to break through
|
|||
|
Chinese mainland male singer. Masterpieces: "I Love You If we're Apart", "Want to Settle Down"
|
The second phase of elimination failed to break through
|
|||
|
Replacement singer
|
Shen Mengchen
|
Second place in the fourth round
|
||
|
Wang Ruolin
|
The seventh round, the final seven
|
|||
|
Liangtian County
|
The tenth replacement, the final six
|
|||
|
Gym singer
|
Wang Qiao
|
The third stage failed to kick the pavilion, failed to break through
|
||
|
Yan Wei
|
The sixth phase kicked the hall successfully, the eighth phase eliminated, and the breakthrough failed
|
|||
|
Chinese mainland male singer and music producer. Masterpieces: "Never Cry for Help", "Never Cry for Help"
Goodbye Goodbye Charlotte
"
|
The ninth stage failed to kick the pavilion, failed to break through
|
Reference material
[6]
[13]
|
quarter
|
Broadcast platform
|
Premiere date
|
Broadcast time
|
Network platform
|
Transfer file
|
File connected
|
|---|---|---|---|---|---|---|
|
Season one
|
Hunan Satellite TV
|
January 18, 2013
|
Every Friday night at 22:00
|
Mango TV
|
||
|
The second season
|
January 3, 2014
|
Every Friday night at 20:10
|
Where's Dad Going, Season one
|
Flowers and Youth Season 1
|
||
|
The third season
|
January 2, 2015
|
Every Friday night at 22:00
|
First grade and elementary school season
|
Real Man Season one
|
||
|
Fourth quarter
|
January 15, 2016
|
Full crew accelerated mid-season one
|
Reference material
[2]
[6]
-
Season one
|
Number of periods
|
Air date
|
CSM45 city network viewing situation
|
CSM71 city network viewing situation
|
||
|
Viewership %
|
Viewing share %
|
Viewership %
|
Viewing share %
|
||
|
Phase one
|
January 18, 2013
|
1.434
|
6.38
|
3.159
|
12.66
|
|
Phase II
|
January 25, 2013
|
1.714
|
8.08
|
3.625
|
12.85
|
|
Phase III
|
February 1, 2013
|
2.014
|
9.34
|
3.798
|
12.97
|
|
Phase IV
|
February 8, 2013
|
2.067
|
8.24
|
4.665
|
13.21
|
|
The fifth phase
|
February 15, 2013
|
1.963
|
9.07
|
4.669
|
13.25
|
|
The sixth phase
|
February 22, 2013
|
2.022
|
8.83
|
6.783
|
15.83
|
|
The seventh phase
|
March 1, 2013
|
2.318
|
10.56
|
5.285
|
14.03
|
|
The eighth phase
|
March 8, 2013
|
2.368
|
11.35
|
4.965
|
14.28
|
|
Phase IX
|
March 15, 2013
|
2.336
|
11.63
|
6.025
|
15.07
|
|
Tenth phase
|
March 22, 2013
|
2.480
|
12.20
|
6.625
|
15.67
|
|
Eleventh issue
|
March 29, 2013
|
2.874
|
12.54
|
6.705
|
15.75
|
|
Twelfth issue
|
April 5, 2013
|
2.981
|
12.96
|
6.727
|
15.77
|
|
The thirteenth period
|
April 12, 2013
|
4.127
|
18.24
|
8.928
|
17.84
|
1. The data source is CCTV Sofri, and the survey covers the audience above 4 years old.
2. The ranking is the ratings ranking of all variety shows of provincial satellite TV stations on Friday night, which does not necessarily belong to the same time period.
-
The second season
|
Premiere time
|
Number of periods
|
National network audience rating
|
CSM48 city ratings
|
||||
|
Viewership %
|
Viewing share %
|
Simultaneous segment ranking
|
Viewership %
|
Viewing share %
|
Simultaneous segment ranking
|
||
|
2014/1/3
|
Phase one
|
2.27
|
5.59
|
1
|
2.164
|
5.70
|
1
|
|
2014/1/10
|
Phase II
|
1.73
|
4.70
|
1
|
2.149
|
5.52
|
1
|
|
2014/1/17
|
Phase III
|
1.72
|
5.56
|
1
|
2.076
|
5.33
|
1
|
|
2014/1/24
|
Phase IV
|
1.76
|
4.60
|
1
|
1.913
|
4.99
|
1
|
|
2014/1/31
|
The fifth phase
|
1.71
|
4.48
|
1
|
1.771
|
4.95
|
1
|
|
2014/2/7
|
The sixth phase
|
1.72
|
4.68
|
1
|
2.354
|
6.02
|
1
|
|
2014/2/21
|
The seventh phase
|
1.78
|
4.81
|
1
|
2.140
|
5.35
|
1
|
|
2014/2/28
|
The eighth phase
|
1.71
|
4.59
|
1
|
2.103
|
5.38
|
1
|
|
2014/3/7
|
Phase IX
|
1.78
|
4.81
|
1
|
2.226
|
5.90
|
1
|
|
2014/3/14
|
Tenth phase
|
1.5
|
4.78
|
1
|
2.208
|
10.00
|
1
|
|
2014/3/21
|
Eleventh issue
|
2.09
|
5.87
|
1
|
2.375
|
11.81
|
1
|
|
2014/3/28
|
Twelfth issue
|
2.18
|
6.28
|
1
|
2.709
|
10.38
|
1
|
|
2014/4/4
|
The thirteenth period
|
3.24
|
10.47
|
1
|
3.990
|
12.00
|
1
|
|
2014/4/11
|
The Biennial Summit
|
Data shortage
|
2.044
|
9.40
|
1
|
||
1. The data source is CCTV Sofri, and the survey covers the audience above 4 years old.
2. The ranking is the ratings ranking of all variety shows of provincial satellite TV stations on Friday night, which does not necessarily belong to the same time period.
-
The third season
|
Number of periods
|
Air date
|
Viewership %
|
Ranking
|
Viewing share %
|
|---|---|---|---|---|
|
Phase one
|
January 2, 2015
|
2.757
|
2
|
12.23
|
|
Phase II
|
January 9, 2015
|
2.407
|
3
|
10.71
|
|
Phase III
|
January 16, 2015
|
2.489
|
2
|
11
|
|
Phase IV
|
January 23, 2015
|
2.633
|
1
|
11.8
|
|
The fifth phase
|
January 30, 2015
|
3.080
|
1
|
14.24
|
|
The sixth phase
|
February 6, 2015
|
3.083
|
1
|
15.47
|
|
The seventh phase
|
February 13, 2015
|
2.897
|
1
|
13.9
|
|
The eighth phase
|
February 20, 2015
|
2.404
|
1
|
11.91
|
|
Phase IX
|
February 27, 2015
|
2.637
|
1
|
13.1
|
|
Tenth phase
|
March 6, 2015
|
2.532
|
1
|
12.46
|
|
Eleventh issue
|
March 13, 2015
|
2.492
|
1
|
12.14
|
|
Twelfth issue
|
March 20, 2015
|
2.516
|
1
|
12.68
|
|
The thirteenth period
|
March 27, 2015
|
3.473
|
1
|
11.27
|
|
Fourteenth issue
|
April 3, 2015
|
2.540
|
1
|
14.68
|
1. The data source is CCTV Sofri, and the survey covers the audience above 4 years old.
2. The ranking is the ratings ranking of all variety shows of provincial satellite TV stations on Friday night, which does not necessarily belong to the same time period.
-
Fourth quarter
|
Number of periods
|
Air date
|
National network viewing situation
|
CSM52 city network viewing situation
|
||||
|
Viewership %
|
Viewing share %
|
Ranking
|
Viewership %
|
Viewing share %
|
Ranking
|
||
|
Phase one
|
January 15, 2016
|
1.0
|
6.26
|
2
|
1.620
|
7.41
|
3
|
|
Phase II
|
January 22, 2016
|
1.45
|
4.92
|
1
|
2.305
|
9.56
|
1
|
|
Phase III
|
January 29, 2016
|
1.13
|
7.35
|
1
|
2.184
|
9.06
|
1
|
|
Phase IV
|
February 5, 2016
|
1.45
|
7.23
|
1
|
2.271
|
9.21
|
1
|
|
The fifth phase
|
February 12, 2016
|
1.39
|
7.30
|
1
|
2.091
|
9.05
|
1
|
|
The sixth phase
|
February 19, 2016
|
1.0
|
5.95
|
1
|
2.403
|
8.18
|
1
|
|
The seventh phase
|
February 26, 2016
|
1.08
|
6.24
|
1
|
1.963
|
7.92
|
2
|
|
The eighth phase
|
March 5, 2016
|
0.95
|
5.43
|
1
|
2.015
|
8.20
|
1
|
|
Phase IX
|
March 11, 2016
|
1.00
|
6.00
|
1
|
2.048
|
8.43
|
1
|
|
Tenth phase
|
March 18, 2016
|
0.95
|
5.34
|
1
|
2.177
|
7.19
|
1
|
|
Eleventh issue
|
March 27, 2016
|
1.00
|
5.94
|
1
|
2.035
|
8.19
|
1
|
|
Twelfth issue
|
April 1, 2016
|
1.01
|
6.20
|
1
|
1.990
|
7.73
|
1
|
|
The thirteenth period
|
April 8, 2016
|
1.69
|
7.02
|
1
|
2.603
|
7.89
|
1
|
|
Fourteenth issue
|
April 15, 2016
|
Data shortage
|
1.221
|
6.83
|
3
|
||
1. The data source is CCTV Sofri, and the survey covers the audience above 4 years old
2. The ranking is the ratings ranking of all variety shows of provincial satellite TV stations on Friday night, which does not necessarily belong to the same time period
1. Due to the elimination system at the end of "I am a Singer", many first-line singers refused to participate. In order to gather up seven contestants, the chief director of the program Hong Tao and Zhuo Lu Shan, who was responsible for inviting artists, in addition to their perseverance and sincerity, they also deployed 36 strategies to break the heart of the singers.
2. During the preparation of "I Am a Singer", the production team gathered 10 music critics including Jin Zhaojun, Song Ke, Korqinfu, Zhang Man and Shan He to form an expert committee, and discussed a list of hundreds of potential singers covering almost all Chinese-speaking regions. Due to loyalty to the original seven-a-side system in South Korea, Hong Kong and Taiwan account for at most two or three places, and also consider the combination of gender and iconic singers.
3. In I'm a Singer Season 1, singers are becoming more conservative in their song choices. The director realized this problem, so in the second half of the program, the director borrowed from the original Korean program, and let the singers choose songs by drawing lots to increase the freshness.
4. Although "I am a Singer" takes the form of recording, but the live performance is in accordance with the way of live broadcast, not NG, the singer only sings once, even Hu Haiquan hosted "eat screws" will not stop to re-record, so the recording time of the program is not long.
5. Before taking part in the fourth season of I Am a Singer, Huang Zhili had been unknown in the entertainment industry for nine years. The first time he came to Changsha to record the show, only one fan met him at the airport. This "depression" quickly reversed after the broadcast of the show, Huang's Weibo followers skyrocketed to 1 million a week later, and with the progress of the show, by the time of the finals, his Weibo followers had reached nearly 5 million, and various commercial endorsements were pouring in.
[14]
"I Am a Singer" based on the lighting, stage, program packaging and other elements of the original South Korea, combined with the local reality of China, a decisive innovation and reform. The first is to grasp and improve the overall professional and social impact. The program has a deep understanding of China's ancient "hype" specialty, in the first season has been a comprehensive introduction of multi-regional, multi-field, multi-fan groups of the type of singers; In the second season, it comprehensively includes the characteristics of The Times and the types of singers, creating the collision of times and times, the integration of classics and popular, and the dialogue between bold and tender, so that music audiences of all ages and various types of preferences can find their favorite parts in it. At the same time, there are multi-angle innovation and reform, professional music level, serious music attitude, pioneering program standards, and comprehensive program content, so that this singing economy program has achieved a benchmarking state of music program. The program broke the routine, with fierce competition and cruel competition system, with the attention of the participants themselves, to show the audience a process of returning from the singer to the "grassroots". "I am a Singer" also for each singer with an agent, Li Weijia, Du Haitao and a series of Hunan Satellite TV entertainment artists to join, so that the already very intense competition, but also become more exciting. Not only the various singers on the stage are tense, but also the competition among the agents under the stage has promoted the viewing of the program again. "I Am a Singer" creative contestant crowd, targeted competition mode, huge early investment and wonderful live display, from the objective grasp of the Chinese domestic market, established a successful brand.
(Review by Today Media)
[15]
I am the Singer Season 4 album
"I Am a Singer" is quite innovative, from the choice of guests to the choice of songs have created a national watching atmosphere. Suspense is left to the guests, and viewers enjoy the power of insight. The TV people use multi-line narration, go hand in hand, cross editing, especially when others sing in time to insert the opponent's picture, this is no longer an entertainment program, but a psychological war, the singer is reduced to an ordinary person by this program, the interaction of the program is no longer the traditional sense of the interaction between guests and the audience, but the interaction between guests. The TV audience enjoyed most of the God-like omniscience until the final vote was announced and the reversal was tormented by director Hong Tao.
(Beijing Evening News review)
[16]
"I Am a Singer Season 2" continues the first season of the show's respect for music and dedication to high-quality music. This season of "I am a Singer", the contestants are more daring in their choice of songs and arrangements, and strive to break through. Compared with similar professional singer competition shows, the second season also pays more attention to the performance of foreign singers behind the stage, their careful preparation for the competition, as well as their nervous state of mind, which is depicted very vividly in the program.
(Review of Beijing Entertainment News)
Compared with the grandiosity and impetuosity of society, "I am a Singer" has always adhered to the concept of "music has no additional meaning, only the purest music program", guiding singers, the public hearing, and the audience to gradually return to rationality, abandon impetuosity, and calm down to enjoy a pure music ceremony.
(China Web review)
As a music competition program, "I am a Singer" carefully transmits the sound of nature and creates the tense atmosphere generated by competition, and at the same time, it also creates a audio-visual feast with its heart. The stage of "I am a Singer fourth season" is a stage built with intentions, a stage of equal competition, a stage full of warmth, and a stage filled with inspirational symbols. In the program, the audience can not see the singer's arrogance and slack, see only hard work, passion and optimistic spirit. "I Am a Singer" cleverly uses audio-visual symbols to turn a musical entertainment program into a weekly inspirational drama that resembles a big movie.
(People's Daily online review)
