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Zheng Zhenduo
(December 19, 1898 - October 1958
October 17)
[24]
,
Born in Zhejiang
Yongjia County
, originally from Fujian
Changle
. The original famous wood officer, word police
The people
[15]
She wrote under the pseudonym Xidi and Guo Yuanxin. Chinese modern writers, social activities
home
[1]
, cultural relics collector, mirror
A surname
[3]
, archaeologist, Tibetan
calligrapher
[6]
,
Jingxing Society
Commune member
[27]
,
Chinese Academy of Sciences
learn
Member of a department
[5]
.
His main books are
History of Chinese vulgar literature
""
Nearly 100 years of ancient tomb excavation history
Zheng Zhenduo's Collected Works
[12]
"
History of Russian literature
""
Literary outline
""
Illustrated history of Chinese literature
""
Chinese printing history Atlas
""
The Porch Series
"History of Ancient Chinese Prints"
Ancient opera series
", etc.
[14]
Zheng Zhenduo enrolled in Beijing Railway management in 1917
school
[9]
; He was employed in 1921
The Commercial Press
Compilation Institute, in May, the editor-in-chief of the "Literature Magazine" launched; In 1924, he edited and published a Brief History of Russian Literature. In 1931, he became a professor at Tsinghua University and later taught at the University
Yenching University
Department of Chinese, and editor-in-chief of "Literature"
Literary Quarterly.
[15]
; In 1934, he edited and published a collection of essays
Collections of Chinese literature
"Rickets" and so on; In 1936, he became a Chinese literary artist
Association director
[14]
; In 1938, he edited and published the History of Chinese Secular Literature.
[1]
; In 1949, he was elected to the standing Committee of China Federation of Literary and Art Circles (CFLAC)
[11]
; In 1950, he served as the director of the Institute of Archaeology of the Chinese Academy of Sciences, and founded the Cultural Relics Publishing House and the Journal of Archaeology, Archaeological Newsletter, Cultural Relics Reference Materials and other issues
.
[10]
; In 1952, he became a professor of history at Peking University
Department of archaeology professor
[12]
; In 1954, he was appointed Vice Minister of Culture of the People's Republic of China
[3]
; From September 1954 to October 1958, he was elected as the People's Republic of China
The first National People's Congress
delegate
[6]
; In 1955, he was elected to the Chinese Academy of Sciences
Member of a department
[5]
.
He died in a plane crash on October 17, 1958
Sixty years old.
[2]
[24]
- Chinese name
- Zheng Zhenduo
- nationality
- China
- Ethnic group
- The Han nationality
- Place of Birth
- Yongjia of Zhejiang Province
- Date of birth
- December 19, 1898
- Date of death
- October 17, 1958 [24]
- Graduate School
- Beijing Railway Management School
- occupation
- Writer, archaeologist, social activist home
- Representative works
- History of Chinese Secular Literature , Xuanxuantang Series
- Major achievement
- Chinese Academy of Sciences learn Member of a department
- Be educated and educated
- Fujian Changle
Zheng Zhenduo was born in Yongjia, Zhejiang Province on December 19, 1898.
From 1907 to 1911, he studied at Yongjia No. 1 Higher Primary School.
From 1912 to 1917, he studied at Zhejiang No. 10 Middle School.
In 1918, he enrolled in Beijing Railway Management
School.
[9]
In May 1919, as a student representative, participated in the "May Fourth" patriotic Movement, and was elected as the leader of Fujian Students anti-Japanese Federation; In June, with
Chen Zhongtao
He and others initiated and organized the weekly publication of National Salvation Speeches and founded the Weekly Publication of National Salvation Speeches. In July, he organized a new society with patriotic intellectuals from Yongjia schools; In August, the journal of the New Society "New Journal" was founded and served as editor; In November, with Qu Qiubai and others, he founded the ten-day issue of "New Society" to explore social reform and began to engage in literary activities.
1920, attended
Li Dazhao
The Socialist Research Association; In August, he and Qu Qiubai founded the monthly magazine Humanity. In November, he attended the first meeting of the Beijing Socialist Youth League.
In January 1921, with
MAO Dun
Initiate the establishment of the Literature Research Association; In March, he attended the fourth meeting of the Beijing Socialist Youth League and was elected as a member of the Executive Committee; In March, from Beijing railway management
school
After graduation, he was assigned to Shanghai South Railway Station as a trainee stationmaster, and set up the People's Drama Club in Shanghai with MAO Dun and Ouyang Yuqian. In May, he was the chief editor of Literature Ten-Day Journal of the Literature Research Association, and then he was introduced by MAO Dun to work in Shanghai Commercial Press.
In January 1922, "Children's World" was founded and served as chief editor; In February, she accompanied the blind Russian poet Eroschenko to give lectures in Beijing. In March, the Literature Research Association held a lecture for Ailuo Xianke in the Beijing Women's Teacher Auditorium. At the meeting, I met with Lu Xun for the first time; June, with Zhu Ziqing, Ye Shengtao and others poetry collection "Snow Dynasty", published by the Commercial Press; In June, the translation of Rabindranath Tagore's poetry collection Stray Birds was published by the Commercial Press.
In January 1923, he succeeded MAO Dun as editor-in-chief of "Novel Monthly". In September, the translation of Tagore's poetry collection "New Moon Collection" was published by the Commercial Press.
In January 1924, his work "Literary Outline" was serialized in the "Novel Monthly", and his work "History of Russian Literature" was published by the Commercial Press.
In June 1925, he and Ye Shengtao, Hu Yuzhi and others established the Shanghai Academic Association Foreign Union; In June, Axiom Daily was founded in the name of "Shanghai International Federation of Academic Societies". He published articles such as "After the Blood is washed off the Street", "June 1", "The lower level of the frozen Water", "slow and numb", and "The Declaration of the closure of the Daily Axiom".
In 1927, his book "Literary Outline" was published. In January, a collection of essays, Miscella in the Mountains, was published by Shanghai Kaiming Bookstore. In February, together with Hu Yuzhi, Ye Shengtao and others, organized Shanghai "Author Association"; In March, he participated in the work of the Shanghai Citizens' Representative Conference of the third armed uprising regime of Shanghai workers, and was elected as the executive committee member and secretary of the Zhabei District Citizens' Representative Conference; In May, he went to Europe, visited Britain, France, Italy and other countries, and edited and published "Literary Outline". Later, part of the travel diary was compiled into the "European Travel Diary".
[22
]
In September 1928, he returned to China from Europe and was still working at the Shanghai Commercial Press as chief editor of the Novel Monthly. with
Chin Hing estate
And Feng Naichao co-sponsored and organized the Chinese Authors Association
[25]
; In December, the short story collection "Family Stories" was published by Shanghai Far East Books Company.
In 1929, he continued to work in the Commercial Printing Library, and also served as a professor in the Chinese Department of Fudan University and Southern University. In March, the translation of the Story of Love was published by Shanghai Commercial Press.
In April 1930, he wrote a History of Ancient Tombs Excavation in the last hundred Years, which was published by the Commercial Press.
In 1931, Ren
Tsinghua University
Professor, after teaching in
Yenching University
Department of Chinese, and editor-in-chief of "Literature"
Literary Quarterly.
[15]
In 1932, he edited and published Illustrated History of Chinese Literature. In July, the book Haiyan, a collection of literary essays and essays, was published by Shanghai New China Book Company; In December, the Illustrated History of Chinese Literature was published by the Publishing Department of Beiping Park Society.
In January 1933, Wen Tan, a collection of literary and artistic essays, was published by Shanghai New China Book Company; In February, he and Lu Xun co-edited "Peiping Chronicle"; In July, "Literature" monthly magazine was founded in Shanghai, and served as editor; In December, he wrote "Ancient Books Published in 1933".
In January 1934, with
Zhang Jinyi
The Literary Quarterly magazine co-edited was founded in Beiping and published by Liyuan Bookstore; In March, the Collection of Chinese Literature was published by Shanghai Kaiming Bookstore. In April, the translation of British Cox's "Folklore" was published by the Commercial Press; In June, he wrote a Brief History of the Discovery of New Materials in Chinese Literature in the Past Thirty Years, published in Literature, Vol. 2, No. 6; In September, the short story collection "The Arrest of the Fire Maker" was published by Shanghai Life Bookstore, and the second collection of Qing Dynasty Drama was photocopied into a book. In October, his daily prose collection "Diary of European Travel" was published by Shanghai Liangyou Books Printing Company; In December, the collection of literary miscellany "Rickets" was published by Shanghai Life Bookstore.
In February 1935, the translation of Greek Mythology was published by Shanghai Life Bookstore; In April, Shizhu Zhai Pads (Volume 1), co-edited with Lu Xun, was published by Rongbaozhai, Beijing. On May 20, the World Library was published by Shanghai Life Bookstore. In August, he was appointed Dean of the College of Literature and Chairman of the Department of Chinese Language and Literature at Jinan University, and taught courses such as the history of Chinese literature and Dunhuang popular literature. In September, he gave a speech in Jinan University entitled "Overseas Chinese Education and Ideal of Jinan University". In October, the edited collection of Literature Controversies in the Department of New Chinese Literature was published by Shanghai Liangyou Book Printing Company.
In January 1936, the Short Sword Collection was published by Shanghai Cultural Life Publishing House. In March, the translation of Russian Short Stories was published by the Commercial Press. In June, with Zhou Yang, MAO Dun, Ye Shengtao, Hong Shen and others initiated the establishment of the "Chinese Literature and Art Association"; In September, Qu Qiubai's last writings "Haishanlin", co-edited with Lu Xun and MAO Dun, was published in the name of "Zhuxia Huaishuang Society"; In October, Lu Xun, MAO Dun, Guo Moruo, Ye Shengtao, Ba Jin and others jointly published the Declaration of the Literary and Art Circles for Unity against Aggression and Freedom of Speech, and became a Chinese literary and artistic scientist
Director of the Association.
[14]
In June 1937, his collection of historical stories GUI Gongtang was published by the Commercial Press. In June, a collection of essays titled "Letters to the West" was published by Shanghai Commercial Press. In July, participated in the Shanghai Cultural Circle Salvation Association; In July, Selected Writings of Late Qing Dynasty was published by Shanghai Life Bookstore; In August, with Hu Yuzhi, Zhou Jianren, Xu Guangping and other people to organize the "revival", published "Lu Xun's Complete Works", "West Journey", "History of the Communist Party" and other books; In October, his poetry collection "War" was published by Shanghai Life Bookstore.
In March 1938, the All-China Anti-Enemy Association of Literary and Art Circles was established in Hankou, and Zheng Zhenduo was elected as a director. In August, his book History of Chinese Secular Literature was published by Changsha Commercial Press.
[1]
In March 1939, he contacted with the Commercial Press about the selection and printing of the Yuan and Ming Dynasty operas in the "Maiwang Museum Copy of Ancient and Modern Operas". He continued to teach at Jinan University and the Institute of Social Sciences.
In 1940, together with Zhang Yongni, He Bingsong, Zhang Yuanji and Zhang Fengju, He secretly initiated the document preservation Association in Shanghai to rescue the ancient books of Jiangnan.
In June 1941, the literary treatise Collection "Trapped Studies" was published by Changsha Commercial Press. In June, the book Series of Xuanxuantang was photocopied and published by Shanghai Essence Printing Company; By December, all of Shanghai had fallen. Pseudonym Chen Sixun, began four years of "hibernation" life.
In October 1945, the weekly Democracy magazine was officially launched in Shanghai. In addition
Ma Xulun
,
Zhou Jianren
,
Xu Guangping
,
Xu Boxin
,
Curling
They prepared to launch the China Association for the Promotion of Democracy; In December, the China Association for the Promotion of Democracy was established in Shanghai, was elected as a director, and drafted the "China Association for the Promotion of Democracy Declaration on the Current Situation" together with Ma Xulun.
In January 1946, he co-edited the monthly magazine "Renaissance" with Li Jianwu and others in Shanghai, which was published by Shanghai Publishing Company, and published "Where are the cultural Relics of the Enemy and the Puppet" in Shanghai's "Ta Kung Pao · Weekly Papers"; In February, the book "Ethnic Wenhua" was published by Shanghai International Cultural Service; In May, he participated in the establishment of the Shanghai District Committee for the Inventory, receipt and sealing of cultural relics by the Ministry of Education, and collected collections of enemy and puppet books by Chen Qun, pseudo-Shanghai University Law School, Bank of Taiwan, and Japanese Takagi. In August, he commented on "Shanghai Should have a National Library".
In March 1947, "Reference Atlas of Chinese History" began to be published, and by 1951, a total of 24 volumes; In May, the book Series of Xuanxuantang was photocopied by Nanjing Central Library; In July, wrote a paper "Preservation of ancient objects"; In August, made "Wenhui Zhai Collection of famous paintings since Tang and Song Dynasty Preface"; In September, he wrote "After Painting in the Western Regions"; In October, the Western Regions Painting (First Series) was published by Shanghai Publishing Company; In November, he made a collection of famous paintings since Tang and Song Dynasties.
In January 1948, the Collection of Ancient Chinese Paintings Collected Abroad was published by Shanghai Publishing Company.
In March 1949, he attended the preparatory meeting of the first Cultural Congress, was elected as a preparatory committee member, and was elected as a representative of the literary and art circles to attend the World Peace Conference; In March, he went to Prague to attend the first World Peace Conference, and "Morning Light World Literature From Book" was published by Shanghai Morning Light Publishing Company. In June, participated in the preparatory meeting of the Chinese People's Political Consultative Conference held in the Qinzheng Hall of Zhongnanhai, and participated in the drafting of the Organization Law of the Chinese People's Political Consultative Conference and the drafting of the national flag, the national emblem and the national anthem; In July, he attended the All-China Literary and Art Workers' Congress and was elected a member of the National Committee of All-China Federation of Literary and Art Circles. Attended the meeting of All-China Federation of Literary and Art Circles, and was elected as the standing Committee member and head of the research Department; In September, attended the Chinese People's Political Consultative Conference; In October, he participated in the founding ceremony and held the China World Peace Conference, served as a presidium member of the conference and was elected as a member of the National Committee; In November, the Ministry of Culture of the People's Republic of China was formally established and he was appointed director of the Bureau of Cultural Heritage. Participated in the East China work group presided over by Vice Premier Dong Biwu, and served as the leader of the culture and Education group.
[11]
From October 1949 to December 1954, he was elected to the first National Committee of the Chinese People's Political Consultative Conference
Committee member.
[8]
In January 1950, he invited artists to a meeting at the Shanghai Department of Literature and Art to discuss the preparation of the National Revolutionary Museum exhibits, and decided to encourage artists throughout the country to create oil paintings, sculptures and other works of art showing the history of the Chinese people's revolutionary struggle; In January, he presided over the founding of the monthly magazine "Cultural Relics Reference Materials" of the Bureau of Cultural Relics of the Central Ministry of Culture; In June, he presided over the "Symposium on Book Classification" and invited experts and scholars from all aspects to participate, set up a working group on book classification, and formulated the first book classification method suitable for New China's libraries. Make a speech in the name of the Director of the Bureau of Cultural Heritage, asking the people of the whole country and relevant departments to pay attention to the protection of cultural relics and monuments; In July, in order to build the Memorial hall of Lu Xun in Shanghai, Wang Yeqiu jointly wrote a report to Premier Zhou Enlai; In August, presided over the meeting of the relevant responsible persons of the General Administration of Customs, the General Post Administration and other units to discuss the issue of antique export identification, and formulated the draft Regulations on the Interim Organization of the Cultural Relics Entry and Exit Identification Committee, and the draft General Rules for the temporary organization of the local Cultural Relics Management Committee on the same day. Preface to the Catalogue of Ancient Works of Art at the Soviet Chinese Art Exhibition, Cultural Relics Reference Materials, Vol. 1, No. 7. Host a symposium on museum business, discuss the tasks of museums, their differences from cultural museums and science museums, and the training of museum talents. Presided over the "social development history exhibition" symposium. Presided over a symposium on the preparation of the Museum of nationalities, and discussed the draft of the scope of the collection of cultural relics of Brother nationalities. The preface to the Research Materials on the Problem of Book Classification is contained in the Cultural Relics Reference Materials, Vol. 1, No. 8. Director of the Institute of Archaeology, Chinese Academy of Sciences; In November, the preparatory committee for the Exhibition of "Resisting the United States and Aiding North Korea to Protect the Country" was established and served as deputy chairman.
In April 1951, he published "Attaching Importance to the Protection, Investigation and Research of Cultural Relics" in Guangming Daily. The exhibition of Dunhuang cultural relics was held at the Beijing National Museum of History. The Significance of the Dunhuang Cultural Relics Exhibition was published in the People's Daily, followed by Xinhua Monthly News and Cultural Relics Reference Materials. The Great Artistic Tradition was serialized in the fourth volume of the Journal of Literature and Art, Nos. 1-11 and 12. In May, he attended and gave a speech at the symposium on cultural relics work of Shanghai Library and Museum staff. The essay collection Hibernating and Writing is published by Shanghai Publishing Company. In September, he joined the Chinese cultural delegation, which started from Beijing to visit India and Myanmar. In October, the Number Statistics on the Collection of Books in Tianyi Pavilion was published in the eighth issue of the second volume of Cultural Relics Reference Materials. In December, the Chinese Historical Reference Atlas was published by Shanghai Publishing Company.
In May 1952, he published "Introduction to Indian Art Exhibition" in People's Daily. The China-Myanmar Friendship Association was established in Beijing and served as its president. Preface for the reprinting of Shizhu Zhai Scribes. The China-India Friendship Association was established in Beijing and served as a director; In August, presided over the opening ceremony of the first national training course for archaeological workers jointly organized by the Institute of Archaeology of the Chinese Academy of Sciences, the Bureau of Cultural Relics of the Ministry of Culture and Peking University and delivered a speech; In September, made the "Chinese printed Books Exhibition Catalogue · Introduction" in the "Cultural Relics Reference Materials" on December 2, the fourth issue. Compiled into an anthology of Ancient Chinese Woodcuts.
In February 1953, the Institute of Literature of Peking University was established and served as director. In March, presided over the meeting of the Cultural and Education Group of the CPPCC National Committee, discussed the protection and repair of revolutionary buildings and historical sites, the protection of underground cultural relics and archaeological excavations, and made reports; In July, he gave a lecture on "Scientific Knowledge System of Capital Construction" for All-China Association for Science and Technology Popularization, entitled "Knowledge of ancient cultural relics that capital construction personnel should have"; In August, he made an Overview of Bingling Temple Grottoes. In September, he attended the Second National Congress of Literary and Art Workers and was elected as the presidium member of the National Committee of China Federation of Literary and Art Circles (CFLAC), the Council member of the Chinese Writers Association and the Minister of Classical Literature; In November, he published "The Excellent Tradition of Chinese Painting" in People's Daily. An Overview of ancient Chinese painting was published in Guangming Daily. At the invitation of Poland, he led a delegation of the Chinese People's Committee for the Defense of World Peace to Poland to attend the Kuyuan Memorial and deliver a speech. As an "invited delegate" to the World Peace Congress in Vienna.
In January 1954, experts from the Ministry of Textiles, the Ministry of Health, the Ministry of Water Resources, the Ministry of Machinery and other ministries were convened to discuss how to cooperate with Luoyang's urban construction, protection and investigation of cultural relics and monuments; In July, the Significance and Function of Protecting Underground Cultural Relics in Capital Construction Projects; In August, he gave a lecture for the first national training course for public library staff, entitled "The Policy and Task of Libraries"; In September, he gave a lecture on "Propaganda of Chinese Classical Literature" for the first national Public Library staff training class; In October, he was appointed Vice Minister of Culture.
[23
]
From September 1954 to October 1958, he was elected as the People's Republic of China
The first National People's Congress
Form delegates to the General Assembly.
[6]
In 1955, he was elected to the Chinese Academy of Sciences
A member of the department.
[5]
He died in a plane crash on October 17, 1958
Sixty years old.
[2]
[24]
Zheng Zhenduo
-
Family background
In his childhood, Zheng Zhenduo's family life became very poor because of the death of his grandfather who was a minor official. Relying on his mother to do some sewing, Zheng Zhenduo barely got the chance to study
.
[16]
-
Marriage and family
In October 1923, Zheng Zhenduo and Gao Junzhen were married in Shanghai
The ritual
[16]
; In 1927, her daughter Zheng Xiaozhen was born
Born;
His son, Zheng Erkang, was born in 1938.
[23
]
-
The donation came in round
In his spare time, Zheng Zhenduo likes collecting ancient Chinese cultural relics, especially ancient sculpture works. In 1953, Zheng Zhenduo donated a batch of 502 pieces of pottery figurines and other cultural relics to the Palace Museum, and in 1957, he donated his collection of sculptures and other cultural relics to the state, and the Cultural Heritage Bureau allocated them to the Palace Museum
The courtyard Collection.
[13]
-
Poetry anthology
|
time
|
Title of work
|
Publishing house
|
|---|---|---|
|
The year 1922
|
The Snow Dynasty
|
Commercial press
|
|
The year 1937
|
Warhorn
|
Life Press
|
|
Reference material
[14]
|
||
-
Fairy tales
|
time
|
Title of work
|
Publishing house
|
|---|---|---|
|
The year 1923
|
Commercial press
|
|
|
The year 1923
|
Bird and Beast Game
|
Commercial press
|
|
The year 1923
|
Children with White Beard
|
Commercial press
|
|
The year 1923
|
Shorty with a Long Nose
|
Commercial press
|
|
Reference material
[14]
|
||
-
Prose works
|
time
|
Title of work
|
Publishing house
|
|---|---|---|
|
The year 1927
|
Miscellany in the Mountains
|
|
|
The year 1937
|
Commercial press
|
|
|
The year 1951
|
A Tale of the Sting
|
Shanghai Publishing Company
|
|
The year 1985
|
||
|
Reference material
[14]
|
||
-
Collection of novels
|
time
|
Title of work
|
Publishing house
|
|---|---|---|
|
The year 1928
|
Shanghai Far East Book Company
|
|
|
The year 1934
|
Life Press
|
|
|
The year 1937
|
Commercial press
|
|
|
Reference material
[14]
|
||
-
Other works
|
time
|
Title of work
|
Publishing house
|
|
The year 1925
|
The Life of Big Gore
|
Commercial press
|
|
The year 1927
|
Literary Outline (1-4 episodes)
|
Commercial press
|
|
The year 1930
|
History of Chinese Literature
|
Commercial press
|
|
The year 1930
|
History of Ancient Tombs Excavation 1930
|
Commercial press
|
|
The year 1931
|
Trends in Modern European Literature and Art
|
Commercial press
|
|
The year 1934
|
A Brief History of Russian Literature
|
Commercial press
|
|
The year 1934
|
Collections of Chinese Literature (Two Volumes)
|
Kaiming Press
|
|
The year 1934
|
Eurodiary
|
Liangyou Publishing House
|
|
The year 1936
|
Literature Debate Collection of New Chinese Literature
|
Liangyou Publishing House
|
|
The year 1936
|
Greek Mythology (Two volumes)
|
Life Press
|
|
The year 1937
|
Selected Works of the Late Qing Dynasty
|
Life Press
|
|
The year 1939
|
Unique Yuanming Drama
|
Commercial press
|
|
The year 1939
|
The Ten
|
Shanghai World Book Company
|
|
The year 1943
|
Dragons and Trolls
|
Chongqing Wenxin book Bureau
|
|
The year 1946
|
Shanghai International Cultural Service
|
|
|
1954
|
Writers Publishing house
|
|
|
1954
|
Reference Atlas of Chinese History (Part 1, Part 2)
|
Shanghai Publishing Company
|
|
The year 1956
|
Shanghai Classical Literature Publishing House
|
|
|
The year 1957
|
Soup Prayer
|
Shanghai Classical Literature Publishing House
|
|
The year 1963
|
Bibliography of the West Truth
|
Cultural relics publishing House
|
|
Reference material
[14]
|
||
-
Translated work
|
time
|
Title of work
|
Original author
|
Publishing house
|
|---|---|---|---|
|
The year 1921
|
June
|
Sramak (Russia)
|
Commercial press
|
|
The year 1921
|
The Seagull
|
Tchaikhov (Russia)
|
Commercial press
|
|
The year 1922
|
Poor but not Drunk
|
Astrovsky (Russia)
|
Commercial press
|
|
The year 1922
|
Stray Birds
|
Rabindranath Tagore, India
|
Commercial press
|
|
The year 1923
|
New Moon
|
Rabindranath Tagore, India
|
Commercial press
|
|
The year 1924
|
The Grey Horse
|
Lubsoon (Russia)
|
Commercial press
|
|
The year 1924
|
Treedweller
|
Duber K. E. (United States)
|
Commercial press
|
|
The year 1925
|
Thoreau Cooper
|
John Kornoth (UK) et al
|
Commercial press
|
|
The year 1925
|
Riesen Fables
|
Lessen (Germany)
|
Commercial press
|
|
The year 1925
|
Teigor
|
Rabindranath Tagore, India
|
Commercial press
|
|
The year 1927
|
Bloodstains
|
Azbasiev (Russia)
|
Kaiming Press
|
|
The year 1928
|
Caucasian Folk Tales
|
Diel (Germany)
|
Commercial press
|
|
The year 1929
|
The Story of Love
|
Commercial press
|
|
|
The year 1930
|
Shanin
|
Azbasiev (Russia)
|
Commercial press
|
|
The year 1932
|
The Fairy Tale of England
|
New China Press
|
|
|
The year 1934
|
An Introduction to Folklore
|
Cox (UK)
|
Commercial press
|
|
The year 1935
|
Greek Mythology
|
Life Press
|
|
|
The year 1936
|
A Collection of Russian Short Stories
|
Commercial press
|
|
|
Reference material
[14]
|
|||
-
Academic research
Zheng Zhenduo's academic activities involved many aspects of social science, mainly in the new literary realism theory of literature, the history of Chinese literature, the development of Chinese cultural relics archaeology three aspects. Zheng Zhenduo occupies an important position in the study of classical literature, especially in the study of the history of Chinese literature, the longest time and the most fruitful results. As early as the "May Fourth" new literature at the beginning, on the collation of ancient literary heritage, excavating the democratic essence of it had a clearer understanding, when he edited the "Novel Monthly" at the beginning, in the journal organized the "collation of national heritage and new literature movement" discussion, and his own article clearly stated: "I advocate that in the upsurge of the new literature movement, there should be a move to collate the national heritage." He regarded the arrangement of national heritage as the key to the new culture movement
There is meaning.
[15]
-
Creative review
In the history of modern literature, Zheng Zhenyi has made contributions in many aspects. He has written poems, novels, essays, translated and introduced foreign literature, and also written a large number of works on the history of literature.
[17
]
Zheng Zhenduo's literary proposition is to demand "truth", to say what there is, not to hide, not to pretend. The demand for "simplicity" is only the expression of the frankness felt in the heart, and the carving and embellishment are nothing but a false escape and the "true" mutilator. He opposed "carving and embellishing", and put forward "truth" and "simplicity", which is fully reflected in many of his poems and essays.
[17
]
Zheng Zhenduo's original prose was about his anger at the May 30th Massacre. Simply narrated the street after the blood washed away the Nanjing Road, especially after the night, is still brightly lit, pen songs, still open a happy party. In this simple description, revealed full of anger and sorrow. With simple prose, he describes the mental state of some citizens who are indifferent to the imperialist massacre, revealing their "slow, numb and cold".
[17
]
In 1934, Zheng Zhenduo wrote a book about the Journey to the West, which describes the experiences of traveling from Beiping to Baotou, focusing on the perception of cultural relics and monuments. For example, the description of Yungang Grottoes is quite detailed, and occasionally it touches on the sufferings of people's livelihood. The scenery is simple and simple, but it is still charming. His "Ju SAN Ji", which describes the life in the occupied area of Shanghai during the Anti-Japanese War, not only maintains the original style, but also expands the vision of life, and the most precious is the expression of the author's inspiring national integrity.
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The Petrel
In his prose Haiyan, Zheng Zhenduo not only focuses on things, but also blends scenes. The whole text is light qian and beautiful, the color is brilliant. At the beginning of the swallow in the beautiful spring scene, the breeze "blowing", the drizzle "sprinkling", soft willow "soothing their yellow-green eyes"; "Red, white, yellow flowers, green grass, and green leaves all come together like people rushing to the market." This incomparably brilliant spring, the author uses "tender blue spring" as an example, is really wonderful; Look again, with the "small swallow, vast sea" as a comparison, write the beautiful sky and sea water first, followed by writing the swallow elegant and leisurely slingling waves. This is really a picture in a poem, a poem in a picture, both singing the carol of spring, and offering the praise of the sea. The author wrote that the little swallow yearns for light and fights against wind and waves, which reflects the author's spirit of loving life and pursuing truth. In the text, it is not difficult to see the author's mood when he "leaned on the green rail of the ship, silently looking at the beautiful sea and sky." He and his companions burst through the nets of darkness and emerged from the harsh white terror. The new confidence of victory swept away his distractions; The new free life prompts him to fall into "intoxication"; A new battle course to carry him into the Crystal Sky. To write about the sea is to write about the young people who are struggling and promising on the sea! Write swallow, is the sustenance of their continuous thinking of the country Huaijia
Affectionate.
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Stone Lake
Stone Lake is a travel essay written by Zheng Zhenduo after visiting Stone Lake twice. The author visited Shihu twice and wrote in chronological order, contrasting the different situations of the old and new society Shihu clearly. The same beautiful scenery of lakes and mountains, the stone lake of the old society left the author with a dark and miserable impression. Farmers work hard, but the fruits of labor are nothing, "half pay private debts and half lose officials", they can only cry hunger and cold. The situation of the new society is completely different, the working people are in charge, the agriculture and fisheries of Shihu have developed greatly, and the people of Shihu have to build the Shihu into a beautiful "park" according to their own will. Isn't that a sea change? The author uses contrast technique to highlight the new atmosphere of the new society. In addition, he also highlighted the rapid pace of socialist construction through the different ways of the two trips. Full text landscape and lyricism closely combined. When writing the reality of the stone lake, it also wrote its beautiful prospect, which makes the reader feel the loveliness of the stone lake. At the end of the article, the author expressed his feelings for writing this article, indicating his deep nostalgia for Shihu, and his expectations for the hardworking and brave working people, which makes people think that the future of Shihu will be better. The language is plain and the feelings are sincere, full of the author's love for the socialist motherland and love for labor
The passion of the people.
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"Zheng Zhenduo is an outstanding patriot in China, a famous writer and social activist, one of the generation of romantic characters born of the May Fourth Movement, and a real warrior in the new culture and literature movement." He has not only contributed to the cultural cause of the motherland, but also to the history of Chinese literature, especially the history of Chinese vulgar literature. At the same time, he also has a considerable amount of literary creation practice during his decades of literary career."
("
Guangming.com
"Review)
[1]
"Zheng Zhenduo is a versatile man who has made so many contributions to poetry, drama, prose, art, archaeology and history as well as to creation and translation, introducing world literary masterpieces or sorting out national cultural heritages.
Social activist
Hu Yuzhi
Review)
[1]
"The most valuable thing about Zheng Zhenduo is that he was fearless in the face of danger, unyielding, loyal to the motherland and loyal to the people at the critical moment of national survival."
(Former Deputy Political commissar of the Commission of Science, Technology and Industry for National Defence, PRC
Zhou Zhou Ping
Review)
[1]
[4]
"Zheng Zhenduo was a famous writer, scholar and outstanding social activist, as well as one of the few modern Chinese cultural relics collectors, connoisseurs and book collectors, who made great contributions to the cause of cultural relics."
(
Palace Museum
Review)
[3]
"Zheng Zhenduo has made many contributions to China's cultural and academic undertakings."
(
School of Archaeology, Peking University
Review)
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Memorial exhibition hall
In October 2015, Zheng Zhenduo Memorial Hall in Wenzhou, Zhejiang Province was officially opened.
Zheng Zhenduo Memorial Hall
Located in the city of Wenzhou Canghe Lane No. 24 Golden house, is a courtyard style building. The museum has a collection of Zheng Zhenduo's handwritten letters, personal belongings, and calligraphy works given to Zheng by MAO Dun, Zhao Puchu, Xia Chengtao and other celebrities. The exhibition of the memorial hall is divided into four parts: the west of the first floor is the topic of "A scholar serving the country", introducing Zheng Zhenduo's life; The east of the first floor is "Thinking of Wenzhou Sangzi", showing Zheng Zhenduo's feelings with his hometown Wenzhou; In the west of the second floor is "a generation of talent passed down through the ages", introducing his friends, influence and works to the audience; The east of the second floor is "dedicated to cultural relics", highlighting Zheng Zhenduo's cultural relics and archaeology
Contribute.
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Erect a statue
On January 8, 2014, the unveiling ceremony of Zheng Zhenduo bronze statue sponsored by Changle Municipal Party Committee and Municipal government was held in Zheng Zhenduo Memorial Hall of Changle City Museum. Bronze statue by sculptor
Pan Xuexiu
Design and creation, the bronze statue depicts Zheng Zhenduo wearing a coat, sitting on his desk, gripping the arm of the chair with his right hand, holding the book with his left hand, inserting his index finger into the album, tight-lipped corners, and staring ahead with his eyes, vividly reproducing his thinking when he was burning the midnight oil and diligently creating
Process.
[21]
The unveiling ceremony of Zheng Zhenduo's bronze statue was held at the National Library of China on Dec 23, 2017. The statue was made with funds donated by the people of Zheng Zhenduo's hometown on behalf of the Changle District Committee of Fuzhou and the district government. National Library commissioned sculptor from Nanjing University of the Arts
Yin Wuming
Design. The bronze statue is placed in the rare books reading room of the National Library for the National map staff and readers to look at together
Look forward to the memory.
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Commemorative exhibition
On December 19, 2023, a series of exhibitions commemorating the 125th anniversary of Zheng Zhenduo's birth was held on Heping Street, Changle, Fuzhou for 3 months.
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Zheng Zhenduo
