3811

Because the number "38" represents the album's focus on the theme of female characters, while paying tribute to the simple female characters through 11 songs, the album was eventually named 3811. In order to prepare for the production of the album, the production team deeply thought about the female theme of the album, Tan Weiwei also went to the offline trend, through the form of video feedback to the production team. In addition, Gao, who was involved in the production of the album, also volunteered to write his mother's story into the song ^[6] . Eventually, 11 songs on the album were named after 11 women, including Tang Dynasty poets Yu Xuanji The actress in the movie "Rouge Button" flowery The goddess of Indian legend Kali , ordinary women character Etc. ^[7] .

Song "Zhang Cunxian" originated from Tan Weiwei's third aunt Zhang Cunxian, she was a bus conductor in a small town in her hometown when she was young, holding a ticket holder and buying tickets is very handsome, in the face of emotion after retirement still dare to love, dare to choose, dare to pursue, her life experience touched Tan Weiwei, so the birth of the song. The song "Wu Chunfang" is based on a social news article. Wu Chunfang is a single mother who drives an overnight taxi with her daughter, who grew up in her taxi from six months to six years old in order to support her family. "Zhao Guiling" is a song about uneducated elderly women who will be "abandoned" by the Internet age, and Tan hopes to raise social awareness of this group ^[4] .

"3811" is a standard concept album, it has a good concept, positive strong energy. Eleven songs correspond to the story of eleven women, the protagonist across the ancient and modern and classes, some fate, some stable can be called happiness. The female group images presented together can touch the heartstrings of the audience ^[5] . For Tan, the album was an adventure. Because she tries to devote an entire album to the biography of the average woman, this kind of ambition and height are rare. Secondly, her singing abandoned the loud and loud rock style and high-pitched singing, and the 11 songs were mainly pop electronic style, which became relaxed and relaxed in singing, creating an eloquent effect, which is in line with her identity as the "narrator" in the album ^[7] . Madame Money, a novel about an independent woman, unfolds in the first person, with "me" showing off, corresponding to "you" being sanctimonious; With "I" one half of the conscience, "half feed animals/half thousand gold not for change."

In the song Zhao Guiling, there are two roles, "I" as the narrator and "you" as the narrative object. Through the narration of "I", the image of old, ignorant, superstitious and old-fashioned women at the bottom is outlined in a way of white description. "Xiao Juan" lists various social news about domestic violence and the killing of wives. The chorus is a soulful cry that leaves no room. In her and Wei Ruxuan's "Yu Xuan Ji", two intertwined air sounds linger in the keyboard and high reverb effect, which blend with each other and present a chemical reaction. The ballad-style "Aggo" enters the forest from the piano, and Tan Weiwei changes into the singing voice as a suit, and the words are round and clear, gently ending Aggo's short childhood. The voice in "Xiaojuan" switches several times, creating a shadow scene around the rotation of many people, is the whole album lyrics, arrangements are in line with a piece of work. "Cali" is a relatively spiritual song, arranged backward, highlighting the proximity of the human voice ^[5] .