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Lift the pavilion, also known as
Raise a pavilion
Is a collection of historical stories, myths and legends in one, integrating paintings,
Traditional Chinese opera
The art of color, plastic, paper, acrobatics and so on is a characteristic tradition
Folk dance
. In a small wooden square pavilion, there are two or three people, usually six or seven years old children, dressed in costumes to perform opera programs, below there are several people carrying the street, beautiful and lively.
[9-10]
As one of the entertainment items in the Chinese folk meeting to welcome gods, the pavilion has been included
National intangible cultural heritage list
. There are many kinds of carrying cabinets, and the art forms of carrying cabinets around have their own characteristics
The golden altar carries the cabinet
,
Huizhou
Lifting Pavilion, Guangdong Lifting Pavilion, Anyang lifting Pavilion and Shanxi Pingyang "Lifting Pavilion" are the most famous.
On June 7, 2008, it was approved by The State Council to be included in the second batch of national intangible cultural heritage list.
[1]
In November 2019, the Ministry of Culture and Tourism identified the Huangzhong County Cultural Center and Longde County Cultural Center as the protection units of the pavilion.
[2]
- Chinese name
- Raise a pavilion
- categorize
- Traditional folk culture
- plot
- Chinese mainland
- Characteristic colour
- Festival celebration
- origin
- Celebrating Yue Fei's defeat of Jin Bing
- Reporting area
- Hebei, Shanxi, Inner Mongolia, Guangdong and so on
- Approval time
- June 7, 2008
- Heritage number
- Ⅹ - 87.
- connotative
- A kind of amusement event in the spirit pageant
- Protection unit
- Longde County Cultural Center [2]
Raise a pavilion
qing
bilithic
"Ten continents Chun Yu 攟 Yu" : "Guncheng in April to look at the tournament marshal meeting... More to the garden beautiful woman, decorated with embroider 縚 painting cocoon, green ð« red pocket, play a story, called lift
Lu Xun
"Chaohuashi · Five Changhui" : "Followed by the so-called 'stilts',' carrying pavilion ', 'carrying pavilion',
Horse's head
'; There are prisoners, red shackles, and children among them."
[3]
Raise a pavilion
There are various forms of performance, initially rapping, and later transitioning to a theatrical endorsement style, which can perform a complete opera story. Yuncheng Gaoge often performs "Liang Shanbo and Zhu Yingtai", "Qin Qiong returns to his hometown", "Nezha Naohai", "Drill bridal Car", "Persuade husband", "Marry Bride", "Lai PI Zi looking for daughter-in-law" and other more than 20 kinds of songs. Performing also equipped with Musical Instruments drum, big gong, two gong, turtle snail, cymbals and so on.
[4]
Production of props: Make a hexagonal table top with a diameter of 4 feet, and install 4 table legs more than 2 feet high under the table top. On the hexagonal table top, install 6 columns of 2 meters high, make 6 beams on the columns, connect the 6 columns to each other, and then make a hexagonal pavilion with eaves, angles, tile edges, and animal heads, and make a railing more than 1 foot high around the chassis (table top) to surround the chassis edge. Two 1.5-inch lifting rods are tied on both sides of the chassis, the lifting rods are tied on both ends of the transverse, and then tied on the lifting rods.
Prop making
In the past, the south camp can not turn the cabinet, the cabinet is like
Xugou
Like the iron bar, the person on the plate can rotate, the production principle is the same as the Xugou transformation iron bar, an active disc is installed in the chassis, and the turntable is rotated by the human being, which adds to the artistic charm of the cabinet.
The pace of carrying the cabinet is basically the same as that of the Xu ditch iron bar, generally walking slowly, the pace of the carrier must be the same, so that the carrier can move up and down rhythmically, and the person on the carrier can swing his arms slowly.
Spring Light Village
There is also a carrying pavilion, but there are many differences with the carrying pavilion left in the south camp. Chunguang village table top is a 3 feet square chassis, equipped with more than 2 feet high table legs, chassis parts tied to two like car pole lifting rod, above the installation of a quadrilateral pavilion shape, sitting on a classical beauty dressed up young girls. Carrying the pavilion like a car is not a car, like a pavilion is not a pavilion, the shape is very special, is 4 people carry the pavilion. In the process of carrying the cabinet, the frequency of shaking up and down is faster, the amplitude is large, but it is also different from
Sedan chair
Therefore, this unique method of lifting has increased the special appreciation and artistic effect of this folk art. This special form and special method of Chunguang Village fully reflect that when folk artists innovate and reform every literary form, they should consider the effect of the performance. People like it, it is enjoyable and entertaining, which is their ultimate goal.
Raise a pavilion
After the founding of the People's Republic of China, Yang Qijing, the 13th generation inheritor of Lifange, has performed many times in Kaifeng, Xuzhou, Liaocheng, Jining and other places. It was suspended for ten years during the Cultural Revolution. Three pairs of pavilions were smashed by Red Guards. In 1978, Yang Yinxi and Yang Yinwen reorganized the performance class and led the team to Jining for more than 20 performances, which were warmly welcomed by the local people.
[4]
In 2005, Shaoji village, Guotun Town, in response to the call of the superior, built a cultural compound, to see the cultural activities have a place, the former artists began to itch: "Carry the pavilion is the baby handed down by the ancestors, why not take the opportunity to pick it up?" So, they began to regroup: from the village committee office moved out of the shelf shelved more than 40 years, self-raised funds to buy drums, gongs and clothing, from Shao Ji village primary school selected four students about eight years old as children on the shelf, plus the village of more than a dozen years of nearly sixty years of old artists, a Yuncheng pavilion team with more than 20 actors came into being.
In order to carry forward the traditional culture, show the charm of the pavilion. Every New Year festival, Yuncheng carry pavilion team to nearby villages, ancestral hall tour performance, for the masses to send a rich cultural feast. In 2011, Yuncheng Carrying Pavilion team participated in Yuncheng County's 90th anniversary of the founding of the party water margin culture and art exhibition, the county's large-scale mass cultural activities are often invited to perform. Yang Yanzhuang, 60, began practicing and performing with the team at the age of 15 and now works as a drummer.
[4]
On September 21, 2012, in order to vigorously promote traditional festival culture and inherit excellent folk art, Jialu Village, Fuchun Town, Jiangxi Province, with the strong support of Wuyuan County Culture, Radio and Television Bureau, built a Jialu Pavilion, and open to the public free of charge. It is understood that the exhibition hall invested a total of more than 60,000 yuan. The exhibition hall now has a rich and colorful carrying pavilion art mural display panels, vivid character modeling and costumes, color and other performance equipment, set display and inheritance functions as one. Known as "one of the best in China", Wuyuan Jia Road Liangge is a provincial intangible cultural heritage, with nearly 40 traditional plays including "Journey to the West", "The Legend of the White Snake" and "Liangshan Bo Gankao", among which "Water Overflowing Jinshan" won the gold medal at the 7th China Folk Art Festival and "Mountain Flower Award" Chinese Folk Floating Color (Liangge) Art exhibition.
[5]
Tiantai County's intangible heritage Pavilion blossomed everywhere:
The "Drum Pavilion" in Dongmen Village began in the Tongzhi period of the Qing Dynasty and was completed by two carpenters in three years, which has a history of more than 100 years. It has a strange shape and exquisite production, which fully reflects the superb production skills of craftsmen at that time. "Drum Pavilion" followed by more than a dozen folk musicians, playing "ten fan" music, is called "playing ten fan".
[6]
The pavilion of Yuhu Hong Village "Kowloon building rooftop" reproduces the scene of this legend. According to legend, the nine dragon king of the East China Sea dragon son for the safety of fishermen in the East China Sea, pulled 72 pieces of dragon scale from the body, turned into a lotus with 72 petals, after the lotus and turned into 72 peaks, which is Tiantai Mountain.
The "New celestial Match" in the Liangge of Qiaonan Community is based on the legend of the Seven Fairies and Dong Yong in ancient times. It reflects that Dong Yong, who has "no tiles on the top and no land on the bottom", has lived a life of fairy beauty and relatives, implying that under the guidance of the "Chinese Dream", the vast number of people have worked hard to get rich and live a happy and happy life.
The pavilion in Donglian Village "Chang 'e welcomes her loved ones" and the pavilion in Sifangtang Village "Chinese Dream" both reproduce the scene of Chang 'e 3 landing on the moon. It expresses the theme of the combination of legend and reality, "Chang 'e-3 lunar probe successfully landed on the moon, lonely Chang 'e-Shuguang Sleeve, to greet the greetings from her hometown relatives", and praises the brilliant achievements of the Chinese people on their journey to climb the world's scientific and technological peak.
The pavilion of Yuming Village "Little Jigong landing drought Dragon" was created according to the "Jigong Legend". According to legend, the Southern Song Dynasty, Tiantai drought. Little Ji Gong follow the water team to take water to Kowloon Lake, found that is the drought dragon. The dry dragon complained to Ji Gong, saying that he had been robbed by mandrills of the imperial decree of the Jade Emperor to rain, so it failed to rain. The drill takes back the jade dish, sends down the happy rain, and the people rejoice.
The "peach blossom fairy" of two Li Xu village is based on the "Liu Ruan met fairy legend" of Tiantai folk. According to legend, Liu Chen, Ruan Zhao, a Lanzhong of the Shan Zhou River in the Han Dynasty, went to Tiantai Mountain to pick medicine and got lost.
The "Hehe Two Immortals" in Zidong community vividly reproduces the Hehe two immortals. "Hehe two Immortals" refers to the two eminent monks of Tiantai Mountain in the Tang Dynasty. Hanshan son secluded in Tiantai cold stone mountain, and Guoqing Temple picked up monk love brother, folk will be two people as "two immortal", Yongzheng Emperor of the Qing Dynasty was awarded "two saints of". The terrace is the birthplace of Chinese Hehe culture.
In Miaoshan Village, the "Southern Wukui" reproduces the image of Chen Guifen, the Guangxu champion of the Qing Dynasty. Chen Guifen Tiantai Miaoshan people, he was good at both civil and military and was given the "number one and", but also rewrote the pattern of the number one in the martial arts for the north. Guangxu two years, was selected as the first class guards plus four, after being awarded the Guangdong Zhaoqing participation, he was diligent and clean, the people gave plaque "deep rain dew."
The "Jigong Cricket Fighting" pavilion in Beimen Village was created based on the rooftop folklore "Jigong Cricket fighting". According to legend, in the Southern Song Dynasty, carpenter Zhang Yu was doing work in the Prime minister's palace, and released the crickets of Prince Luo out of curiosity. Luo Childe furious, to Zhang Yu compensation within three days, or he will die. Zhang Yu cornered, threw himself into the river, just be rescued by Ji Gong. Ji Gong Buddhism boundless, with a half dead cricket to defeat the big rooster, save the carpenter Zhang Yu.
The "Cuckoo fairy" in Qinfeng Village is based on the folklore of Tiantai Mountain. According to legend, Tiantai Mountain Huadingthere was a black snake spirit, doing many evil, every year to the strong boys and girls. The girl Yunjin dressed as a virgin, holding a knife to kill the black snake spirit, he was seriously injured, the blood spilled, blooming beautiful Yunjin cuckoo.
Bridge on the village of the lifting pavilion "Xia guest tour rooftop" reappeared when Xu Xiake swim Tiantai Mountain scene. In 1613, Xu Xiake came to Tiantai Mountain and wrote the Diary of a trip to Tiantai Mountain, which was prominently marked at the beginning of the book of Xu Xiake's Travels.
Xingzhuang Village carrying the pavilion "dance Kirin" began in the Ming Dynasty, kirin is a symbol of auspicious, "dance Kirin" is a traditional Lantern Festival performance project, by the boy respectively dressed as the champion, the God of wealth, Kuixing, prime minister, flower exploration, etc., standing on the shoulders of adults, according to the rhythm of gongs and drums, walk a step, run round. It expresses the people's wish for a good New Year, the people are happy and healthy, and warmly praises the current peace and prosperity of the country and the people.
So many lifting pavilion startling eyes dazzling, is reflecting the Tiantai Mountain culture of the broad and profound.
[6]
During the Qing Dynasty, Li Zhongtang, an official from the capital, came to Yuncheng to visit the people and passed through Shaoji Village, which coincided with the village
China Democratic Development Association
Carry the pavilion performance, carry the pavilion on the woman like a fairy flying in the air dancing. Li Zhongtang sat in the sedan and watched with amazement. He thought, "I have traveled all over China, but I have never seen this kind of singing. So down the car to ask, after watching the inscription to send the plaque said: "travel all over the territory, no match", and send the performing woman's folding fan inscription "Heaven girl", send the performing man folding fan inscription "flying fairy", and put forward the suggestion of carrying the pavilion, that is, a pair of carrying the pavilion parallel performance, and later developed to more than a pair of performances.
[4]
2008, Shanxi Province
Wanrong County
Participating in the declaration of "lifting pavilion (core word, iron branch, floating color)" (
Wan Rong
Carry the cabinet)"
Langfang City, Hebei Province participated in the declaration of "lifting pavilion (core character, iron branch,
Floating color
) (Geyucheng Chongge Association)"
Hebei Province
Kuancheng Manchu Autonomous County
Participating in the declaration of "lifting pavilion (core word, iron branch, floating color)" (
Kuancheng
Back pole)"
Hebei Province
Longyao county
Participating in the declaration of "lifting pavilion (core word, iron branch, floating color) (Longyao County Zepan lifting Pavilion)"
Shanxi Province
Qingxu county
Participating in the declaration of "lifting pavilion (core word, iron branch, floating color)" (
Qing Xu Xu ditch back iron bar
)"
Daxian County of Shanxi Province participated in the declaration of "lifting pavilion (core word, iron branch, floating color)" (
The lofty mouth scratches the pavilion
)"
Inner Mongolia Autonomous Region
The left Banner of Tumt
Participating in the declaration of "lifting pavilion (core character, iron branch, floating color) (brain pavilion)"
Jintan City, Jiangsu Province participated in the declaration of the "lifting pavilion (core character, iron branch,
Floating color
(Kim Tae-yee-gak)
Pujiang County, Zhejiang Province participated in the declaration of "lifting pavilion (core word, iron branch, floating color)" (
Pujiang Yinghui
)"
Anhui Province Shouxian, Linquan County participated in the declaration of "carrying the pavilion (core character, iron branch, floating color) (elbow pavilion carrying the pavilion)"
Xingwen County, Sichuan Province participated in the declaration of "lifting pavilion (core character, iron branch, floating color)" (
Dam height
)"
Jiangyou City, Sichuan Province participated in the declaration of "lifting pavilion (core character, iron branch, floating color)" (
Qinglin mouth high lift drama
)"
Gansu Province
Zhuanglang county
Participating in the declaration of "lifting pavilion (core character, iron branch, floating color) (Zhuanglang County Gaolift)"
Qinghai Province
Huangzhong county
Participating in the declaration of "lifting pavilion (core word, iron branch, floating color) (Huangzhong County Qianhuying high platform)"
Ningxia Hui Autonomous Region
Longde county
Participating in the declaration of "lifting pavilion (core character, iron branch, floating color) (Longde County high platform)"
Zibo City, Shandong Province
Linzi District
Zhoucun district jointly participated in the declaration of "lifting pavilion (core character, iron branch,
Floating color
(Zhou Cun Chi Zi)"
Zhangqiu City of Shandong Province participated in the declaration of "lifting pavilion (core character, iron branch, floating color) (Zhangqiu core)"
Ningde City, Fujian Province
Jiaocheng District
Participating in the declaration of "lifting pavilion (core word, iron branch, floating color)" (
Huo Tong
Iron branch)"
Fuding City, Fujian Province participated in the declaration of "lifting pavilion (core word, iron branch, floating color)" (
Fuding sand Chengcheng iron branches
)"
Fujian Province
Pingnan county
Participated in the declaration of "lifting the Pavilion (core character, iron branch, floating color) (Pingnan Shuangxi iron branch)"
Zhongshan City, Guangdong Province participated in the declaration of "lifting pavilion (core character, iron branch, floating color)" (
Namlang
The edge of the cliff wafts color
)"
Taishan City, Guangdong Province participated in the declaration of "lifting pavilion (core character, iron branch,
Floating color
) (
Taishan pumice stone floating color
)"
Wuchuan City, Guangdong Province participated in the declaration of "lifting pavilion (core character, iron branch, floating color) (Wuchuan floating color)"
Guangdong Province
Luhe county
Participating in the declaration of "lifting pavilion (core word, iron branch, floating color)" (
Kawada Takayake
)"
It was selected into the second batch of national intangible Cultural Heritage List, category of folk items, serial number 994.
Chenzhou City, Hunan Province
Yizhang county
Participated in the declaration of "Lifting the Pavilion (Yizhang Night Story)"
Yueyang City, Hunan Province Miluo City to participate in the declaration of "lift pavilion (Changle Story meeting)"
Selected into the third batch of national (extended) intangible Cultural heritage list, folk project category.
2006, Zhejiang Province
rooftop
The county's Liangge was listed as the first batch of intangible cultural heritage protection in Taizhou.
The altar of gold "carries the cabinet"
Is a number of young boys and girls played
Ancient costume
Theatrical figures, suspended on several layers of square shelves, carried by people and accompanied by the playing of instrumental music, a traditional form of acrobatic entertainment. Its crepe shape, derived from the ancient "thin.
Beat gongs and drums
". During the Southern Song Dynasty, Jin soldiers attacked Jintan City, and King Yue led his troops to resist bravely. After the defeat of the Jin Army, the fleeing people returned to their hometown, they celebrated the victory in various forms, and one of the most popular forms of entertainment was "fine beating gongs and drums". At the beginning, "fine beating gongs and drums" did not have a fixed rhythm, and the form of performance was relatively simple. By the early Republic of China,
Qi Jiguang
Lead troops to defeat those who intrude on the gold altar
Japanese pirates
And raised the wall of the Golden Altar by three feet. When the people of Jintan celebrated, on the basis of "fine playing gongs and drums", they added the "lifting pavilion" transplanted from Hubei to perform acrobatic modeling. The original "lifting Pavilion" was small in size and monotonous in content, and after the transformation and innovation of Jintan folk artists, it continued to develop, so that it not only absorbed the strengths of Hubei "lifting Pavilion", but also dissolved into the local content characteristics of Jintan, so that it was unique and more entertaining and ornamental. The production of "pavilion" is based on wooden piles and bolts as "bones", manned by "piles", and fixed in layers. When traveling, sixteen strong men "eight carry eight inserts", that is, eight people carry them with their shoulders and eight people support them with their shoulders. The "pavilion" is a rectangular pedestal six feet long and five feet wide, with a rectangular base with four legs. The base is supported by wooden poles and decorated with rockeries, winding Bridges, railings, flowers, green shade and pavilions. "Pavilion" to "pile" as the support of the upper and lower into a whole, from high to low divided into five layers for the top pile, two piles, three piles, four piles and the end of the pile, up to two feet and five feet. On the "pavilion" there are five to seven young boys and girls (all around 10 years old) who pose as various drama characters. When prosperous, Jintan had City God Temple, Zhongyou Temple, Hexi Temple, Li Wang Temple, eight wax Temple, temple value temple, Hedong Temple and other seven "carry the pavilion" at the same time travel, its scale and momentum of huge, attracted the city. After the inheritance and transformation of folk artists in the past dynasties, especially in the early Republic of China, the Anti-Japanese War period and the three development stages before and after the founding of the People's Republic of China, Jintan "lifting the pavilion" has formed a unique local style. Its elegant shape, beautiful content, accompanied by sonorous rhythmic percussion music, strong atmosphere, spectacular scene, like a mobile stage carried on the shoulder, has been loved by generations of people. Its customs, content, shape and scale, as well as the corresponding instrumental music, all have very distinct characteristics of Jiangnan.
The golden altar carries the cabinet
It is also a kind of acrobatic performance art closely combined with traditional drama, which belongs to the rare and precious variety of folk art. Protecting and inheriting the "lifting Pavilion" of the golden Altar has high academic research value for exploring the combination development of traditional drama and folk acrobatics.
After the third flourishing period at the beginning of the founding of the People's Republic of China, the breed gradually became silent, and some of its inheritors died one after another, and some are old, and now there is no successor and it is on the verge of extinction. [1]
On the afternoon of March 7, 2015, Jintan City held an exhibition of intangible cultural heritage projects in Youth Square, and nearly 200 people performed six intangible cultural heritages such as Zhixi Dragon and fingerfish lamp. Among them, the national intangible cultural heritage - Jintan Lifting Pavilion, is the first time to meet Jintan citizens after the performance in 2007. The pavilion is about 6 meters high and weighs a thousand kilograms. It is carried by 16 people. Eight children aged 5-6 play the characters of Seven Fairies, Dong Yong, and the Jade Emperor, hanging on the 5-story pavilion to show the legend of Dong Yong.
[7]
Jixi Lake village carrying pavilion
Huizhou carrying pavilion is somewhat similar to the character in the parade float, but the "lift" of the "lift pavilion" is worthy of the name, it is carried by people, so the unique trembling and leisurely rhythm of the above character shape is unmatched by the float. The "pavilion" of "Lifting Pavilion" refers to the wooden frame carefully designed and manufactured by folk craftsmen, which is divided into two kinds of two-story pavilion and three-story pavilion according to the different scale and plot. The outside of the pavilion body is decorated with pavilions, stone Bridges and rainbows, mountains and rivers, fishing boats, clouds or flowers, etc., although the layers are stacked and integrated, they complement each other. There are flexible pillars on each layer of the pavilion, cleverly hidden in the pavilion between the sports objects, children dressed in various drama characters, or standing or sitting or hanging on these pillars, the colorful clothes are cleverly covered up the pillars, these children will have a sense of standing. The common characters of Huizhou opera carrying pavilion are"
The Tale of the White Serpent
"Water overflowing Jinshan Temple","
Journey to the West
"Sun Wukong three dozen white bone Essence", and"
In the peach garden, three bonds are made
","
A fisherman and a killer
In recent years, with the development of tourism in Huangshan City and the mining of tourism resources, there will also be
Dai Zhen
, Zhu Xi,
Tao Xingzhi
,
Huang Binhong
Such as Huizhou historical celebrities used as character modeling, it can be said that Huizhou carried the pavilion to bring forth the new.
Huizhou Pavilion is carried by four or more young men shoulder to carry the bar forward, the front, the back of two people, wearing a white scarf, wearing a white cloth jacket, yellow vest, full of spirit. The left and right side of the cabinet and another two young men with the same makeup, they are both the replacement of the hand of the cabinet, but also the defender of the cabinet and the pathbreaker. They often hold long steel forks in their hands, so that they can pick up the banners hanging down the road or push away the branches of the trees on the side of the road at any time, so that the tall pavilion will not be blocked or damaged. At rest, you can also give the children above to borrow, reduce their fatigue.
The children who serve as the model of the cabinet are carefully selected in the whole township and village, both to look beautiful, but also to be lightweight, and have to stand and sit for a few hours of hard work. Even if the conditions are so harsh, every family is still very enthusiastic when choosing. According to the cabinet maker told me, in fact, the biggest secret of the cabinet is in the bottom space of the cabinet body, where there are irregular arrangements and piles of stones of varying sizes, it is these stones that play a stable and balanced role in the tall cabinet. The location and number of cleverly placed stones have become the standard for testing the level of a cabinet maker.
Huizhou pavilion is often sent out four or five in a row, slowly marching through the city, coupled with each pavilion in front of a drum blowing to create a consistent atmosphere with the opera story on the pavilion, the fixed pavilion shape immediately activated into a drama story in people's minds, so the wonderful enjoyment of the flowing open-air stage, it is difficult to convey.
Yuncheng lifting Pavilion is a very old folk dance form, which has a history of more than 400 years. According to Yang's genealogy and Zulin inscriptions, during the reign of Jiajing in the Ming Dynasty (1556), the seventh Emperor of Yang's Wushi, "Yi Jing", was dissatisfied with the children of a rich family in Hebei Province, and then moved his family from Hebei Province to Shaoji Village, Guotun Town, Yuncheng County, to settle down. "Yi Jing" since childhood smart, civil and martial arts, love to play, homemade many toys, such as green dragon knife, snake whip, wooden horse, bullet train and so on. One day, after seeing an official carrying a sedan chair in Shaoji Village, he had a sudden idea and asked the local famous carpenter to design a fun sedan chair for him, named "Carrying Pavilion". This kind of litter has no cover, two flat bars about five meters long on the left and right, six beams connected in the middle, and a vertical pole in the middle of each beam, so that the entertainer can fight on it, flip and jump, and act as an assistant when he loses his steps to prevent falling to the ground. The two long poles are carried by one person at each end, and the four people carry the poles in step with each other, walking up and down and shaking, and the artists perform on them, which is very exciting. Legend has it that many people participated in such activities at that time. This is Yuncheng lift pavilion prototype.
During the Ming Dynasty, Yang's descendants changed the cabinet from a double pole to a single long pole, and two people carried it on their shoulders, trembling, and the entertainer stood on it, doing the action of kicking and jumping, showing it to the audience. During the Qianlong period of the Qing Dynasty (1739), the descendants of the Yang family installed piles on the rack, erected on the rack, with a foot board on the left and right sides of the pile for performers to stand and tie people to the pile with a rope to avoid falling down. At the same time, kidnappers were made at both ends of the rack, so that the person carrying the rack could hold it tightly with his hands, so that the rack would rest on his back and there would be no danger of turning it over. The entertainers whip, kick, walk and jump above, or dance with folding fans in hand, or hold a hatchet in hand, impressing the audience.
[4]
Raise a pavilion
Guangdong Gaoge
It has experienced two stages of "color turning" and "plate color". To turn the color is to install a wooden and iron shaft in the middle of the cart, and put a board with holes in the middle that can be turned, and one or two figures dressed as various shapes (these figures are called "demon color") stand on this board. The plate color allows the figure to sit on the "color table", the dress is more gorgeous, and the figure is increased to four.
Floating color
The biggest highlight is the "color boy", "color girl", their dress and demonstration level, mental state directly affects the level of the entire activity, therefore, every time whether it is invited out of the cruise or in the countryside cruise, "color boy", "color girl" are carefully selected, and not who wants to be able to be. "Color boy", "color girl" is one in a hundred, the age of 7 to 9 years old, beautiful appearance, elves are clever, but also need to have a certain talent for performance.
The core of the cabinet (floating color) is the production of the color stem, the color stem is the support of the "color boy" and "color woman", generally made of steel branches, the clever use of mechanical principles, to achieve the balance of the heavy force of the "color table", so as to avoid turning over the table. And cleverly arranged the "color boy", "color woman" artistic structure shape distribution.
Performers stand on a small stage called a "color cabinet" and perform segments of folklore or mythology in the form of a parade. The magic of the performers is that they stand up in the air on carefully camouflaged steel branches, supported by invisible color stems, and use clever mechanics to create a "floating" effect. Raise the cabinet
Floating color
As a kind of drama plastic art on the mobile stage of Guangdong folk. Usually two or three children play characters and scenes from mythic stories or historical legends on the board, which are carried slowly by four people, accompanied by eight-tone gongs and drums for people to watch.
There are many kinds of pavilions in Guangdong, in addition to the traditional "Virga Peach Fairy scene", "Phoenix Wings","
Avalokitesvara sits on lotus
", "Which Zha Naohai", "Cixi", "The Virgin of Huashan", "The Virgin of Huashan"
Liang Shanbo and Zhu Yingtai
","
Shi Lin Altar Tower
", "Crabs Across the River", "Magpie practicing plum", there are also "Universal Celebration", "Joy of the Land" and other modern theme works, Cheung Chau, Hong Kong
The Tai Ping Jiao Festival
Color parade
Current affairs themes also appeared, including a satire on the HKIED scandal in "Big rocks to Death Crabs", "Mrs Law" in a green cheongsam, "Olympic sailing gold medalist Lee Lai Shan", "Hong Kong Reunification 10th Anniversary", and the Olympic equestrian events
Floating color
.
China's first folk floating color (lifting pavilion) art exhibition, Guangdong Xinyi created a length of seven meters wide, six meters high, flying out of 18 people's large floating color "Happy God". With its magnificent atmosphere, high skills and won the applause of the house.
Guangdong carry the pavilion
Pearl River Delta
South of almost every city every county spread, famous have
Xinyi City
Eighteen float color, Zhuhai dry business float color, Wuchuan float color, Taishan float color. Jiangmen floating color, etc. Every
Lantern Festival
Or major festive activities will be held in the streets and alleys all over Guangdong
Color parade
It attracted villagers from all around the country to watch, and even overseas villagers returned to their hometown to have a look.
Xinyi (carrying Court)
Floating color
Because, after the failure of the Taiping Rebellion, in the west of Guangdong, the performance was banned at that time
Cantonese opera
Cantonese opera artists came up with the idea of making a piece of Cantonese opera into a shape, which was carried and celebrated by people during the Lantern Festival, and gradually passed down. Xinyi (Lift Pavilion) floating color, famous for its large, can be called a Chinese folk art. In 2008, China's second folk Festival was held in Shawan, Guangzhou
Floating color
(Lifting the pavilion) In the art exhibition,
Be happy and radiant
"Grand Plan", with a color stem floating out of more than 20 different shapes, vivid "color children", color stem can do 360 degrees of rotation and other difficult skills. The third batch of provincial-level intangible cultural heritage list in Guangdong Province was announced recently
Chinlong
Floating color is on the list. It is currently applying for national cultural heritage.
Zhuhai dry affairs (lift pavilion) floating color
During the reign of the Ming Dynasty,
Ganmu town
Countryman Liang Guodong Ren Jiangxi Province
Pengze county
Lingshi was introduced from Jiangxi Province and has a history of more than 300 years. To warmly celebrate the eighth anniversary of Macao's return to the motherland,
Doumen District, Zhuhai City
The eight-tone group,
Doumen District
work
Floating color
Team sum
Golden Bay District
Three stoves crane dance
The performance team of nearly 100 people walked into the streets of Macao to participate in the "Dragon and Lion Flying parade" activity, creating a lively and happy festive atmosphere. This is one of a series of activities organized by the Macao North District community to celebrate the eighth anniversary of the reunification. The "Guanyin sitting Lotus" and "Which Zha Nao Sea" performed by the floating color team are deeply loved by Macao compatriots.
Wuchuan (Liangge) floating color has a long history, rich and colorful, and is famous for its exquisite skills. In particular, Wuchuan floating color, which began in the Qing Dynasty, can be called a gorgeous flower of southern folk art. At the end of the Qing Dynasty, the four towns and eight villages of Wuchuan Huangpo were often held
The Wandering Spirit Contest
The appearance of the performance of drama fragments of the masquerade parade, commonly known as the color, eye-catching.
Cheung Chau Jiao Festival
Floating color is a traditional folk art that originated in the late Ming and early Qing Dynasties and spread from Guangdong to Hong Kong.
The Tai Ping Jiao Festival
Alternate name
Bao Shan Festival
, yes
Cheung chau island
Festivals with local characteristics are held around the eighth day of the fourth lunar month every year.
Color parade
Is the climax of the festival, by the Chaozhou gongs and drums, lion dance team, flag team,
Floating color
Teams and other groups, the parade as many as thousands of people. In the 2007 Cheung Chau Jiao Festival in Hong Kong, apart from the familiar "Cixi", "Our Lady of Hua Shan" and "Our Lady of Hua Shan"
Liang Shanbo and Zhu Yingtai
In addition to the floating color, there are also some themes, including the satire of the HKIED storm "big rocks crushing crabs", "Mrs Law" wearing green cheongsam, and Olympic gold medal sailing athletes
Li Lishan
,
The return of Hong Kong
The 10th anniversary and the theme of the Olympic equestrian events.
The performers are mostly children.
The main branch is 3 ~ 8 meters high, and the main branch and shelf should not only be strong but also light and clever, which can bear weight and meet different modeling requirements.
"Carrying Pavilion" is a collection of historical stories, myths and legends in one, integrating painting, opera, color, paper, plastic, acrobatics and other arts as a large-scale folk dance, is an important part of the Spring Festival activities of the people of the Central Plains, stretching down to the present day, "carrying pavilion" is known as "a strange in China", in the Chinese folk customs and
Chinese folk art
The field influence is very wide.
As the name suggests, people carry a similar "pavilion" shelf made of bamboo and wood or iron materials for performance. "Pavilion" is divided into flat pavilion and high pavilion, and the flat pavilion is only set up a shelf, and the performers can either stand or sit on it to perform; Gaoge is also known as "iron branch", the production performance is more complex, that is, on the main shelf and then divided into three, each branch arranged different performers.
Raise a pavilion
When carrying the pavilion performance, in order to ensure the safety of the performers, some long streamers are seen on the shelf, one is good-looking, and the second can maintain balance through these streamers. Next to the "pavilion", it can also be seen that the practitioners hold long forks, which are used to maintain the balance of the shelf in addition to passing props to the performers.
The performers on the pavilion are mostly children, and the children are light, which can reduce the burden of carrying the pavilion, and the children performing on the pavilion are more likely to be favored by people,"
female
When a child is dressed, her husband's family does not have to look,
male
The child is dressed, the daughter-in-law is casual "and other idioms also illustrate this point.
The performers on the pavilion are 3 to 5 children, the children on the pavilion slightly apply powder, look pink, make a variety of actions on the shelf, and combine the role and character characteristics to make a variety of expressions, lively.
When "Carrying the Pavilion" is performed, there are gongs and drums in front of the pavilion
Yangko (a popular folk dance)
The team, gongs and drums in the cheerful Yangko twist up, surrounded by large and small high and low "carry pavilion" forward, ten miles and eight townships have come to watch, the scene is spectacular.
In October 2006 held the eighth Chinese folk art Mountain Flower Award · China's first folk
Floating color
(Lifting the pavilion) At the art show,
Anyang county
The Pavilion performance team won the highest award of Chinese folk art
Mountain Flower Awards
Anyang has become "the hometown of China's cradle culture".
The origin of the cabinet
More than 2,000 years ago during the Spring and Autumn Period, Anyang
zigzag
The frequent wars in the area are known as the "Gange Ditch". One year,
Confucius
Traveling through the nations through here, feeling the simplicity of the local people, he used his hometown Qufu "Qu" instead of "Gan Ge", renamed it "Qu Gou", not only hope that the two places become friends, but also hope that Qu Gou away from the war. When Confucius left, the villagers beat drums to send, and choose boys and girls who sing well, carried by the crowd to the high table, singing while walking, so that the far away Confucius can look back at the high table.
Later, the villagers still used this song and dance form when they were happy and amused themselves. Because it's a song
dance
Hence the name"
Raise a song
". After continuous inheritance and evolution, later, artists decorated the high table into a pavilion style, giving people the feeling of a pavilion in the air, clouds and fog, so it was renamed "lifting pavilion". Because of the performance on the high stage, it is also called "Taiwan Pavilion". With the development of science and technology, the way of making "pavilion" of the artists is constantly innovative, and the "pavilion" is gradually developing in the direction of high, steep, strange, dangerous and beautiful. The art of carrying pavilion has developed into a mature high stage performance art form integrating drama and acrobatics, wood art, iron art, painting art, weaving art and cloth art.
"Li Sanniang grinding" carrying the pavilion performance made the audience laugh from ear to ear. 3 meters high color platform, a small actor hard to push the stone mill. A live rooster plays the "golden rooster fairy" proudly standing on the stone mill, and there is a beautiful "little fairy" standing on the comb. The staff at the side kept putting food in the cock's rice trough. Onlookers touched its wings to see if it was alive, which annoyed the "Golden Rooster Fairy". It fluttered its wings and shrilled angrily at an untrusting audience.
On the throne of the Monkey King, by
Liu Zhen
,
Liu Wei
The real Monkey King is trying to kill. The twin brothers, who are only 6 years old, look identical, and even their mother can't tell them apart after wearing makeup. The duo have been performing since the age of three and have performed hundreds of performances. The little brothers stepped on the spear raised by the monkey Boy and held the golden cudgel in their hands. Two pairs of tiny feet tread on the sharp points of the guns, causing the audience to scream.
According to Zhang Yongshun, the inheritor of the art of "Qugou Taige", the pavilion is famous for its "fine, strange, extraordinary and wonderful", and the small actors are placed on the tip of the spear and the edge of the sword, but they are not hurt.
The performers are mostly children. From the strong man carrying the "pile" under the stage to the small actor performing on the "pile", each link is an indispensable organic part. A large pavilion parade performance is "there are bones and meat", in addition to hundreds of different plays at the same time, there are
stilts
, lion dance, Yangko and other performances, the longest team as long as 3 kilometers.
Zhang Yongshun said that due to the long age, the earliest inventor of "Qugou Taige" has been impossible to verify. According to the old ancestors, the cabinet began in the Spring and Autumn period and flourished in the Ming and Qing dynasties. "
zigzag
The footprints of "Taige" have been all over Beijing, Shanghai, Guangzhou, Wuhan and other major cities in the country, known as "a wonder of China" and "Chinese art". It is currently applying for national cultural heritage.
It is a spectacular group of meetings in the imperial guild team, which is organized by Jinmen salt merchants - Lugang Public Office, which originated from the Qing Dynasty
Jiaqing
During the years. It is a folk art form integrating the craft of color tie and the modeling performance of characters in the story. It has both performing skills in literature and martial arts, and has superb and unique plastic arts. The characters are arranged in three or four layers, each of which is fixed on the platform. Different stories, different characters. The highest layer can be as high as eight meters from the ground, and the characters in the story play a variety of action shapes in the march of the pavilion, like the gods floating in the clouds, which people can see from a distance.
Initially, only four people carried the pavilion, the main performance of"
Zhong Kui married younger sister
","
Eight immortals celebrate longevity
", "Nine Old Pictures", "Chang 'e Flying to the Moon", "Ma Gu Offering Life", "Heavenly Women Scattering Flowers","
The Tale of the White Serpent
"And other fairy tales. It is said to have cost 5,000 taels of gold. Later increased to eight, not only the position is very prominent, decoration and props are also particularly luxurious eye-catching. Performances: "Immortal Shang Shou", "Immortal Shang Shou"
Safe and auspicious
", "Dragon and Phoenix", "Justice for Heaven","
The Mountain of Flames
", "Thunder master sanctification", "out of Reincarnation", "loyalty, filial piety and righteousness" and other stories.
In imperial guilds, there is usually one following each of them
Stilt society
After that is the performance of other baubles, and after the eighth drive lift pavilion, it is arranged to display, as long as you see the eighth drive lift pavilion, you know that there will be no baubles in the future.
"Carrying Pavilion", is popular in Pingyang area of the folk traditional art form, every New Year, the masses are always to meet and compete to celebrate the festival.
The obvious feature of "Carrying Pavilion" is that sticks, crutches and cards of different forms are made of high-quality iron forged up to 10 meters high and about 4 meters low, and are installed on a square table type wooden base. The iron rods and crutches are affixed with various beautiful figures or plays, acrobatics, sports and performance props played by men and women and children. Two sticks are mounted on the base, which are lifted by several people. Accompanied by gongs and drums and wind and percussion music, the parade is slowly performed in the street or square.
The performance of "Carrying the Pavilion" is often accompanied by lions, dragon lanterns,
stilts
,
Land boat
Etc.
Civil society fire
And dance to your heart's content. As many as dozens of hundreds of sets, as few as a few sets, displayed in rows. Gongs and drums clanging, lock na tick da da, looking up at the red-and-green actors dancing on the high lift pavilion, display heroic, colorful, dazzling eyes; Overlooking the crowd of people, bustling, praise applause, one after another, people immersed in the atmosphere of joy.
The artistic characteristics of "Lifting the Pavilion" are surprising and mysterious, majestic, delicate color making, unique shape, beautiful and generous, elegant and popular appreciation, typical concentration of content, lively and beautiful performance. Each "Lifting Pavilion" reflects a content, are selected folk stories or drama plots, through the clever setting of color scenery, the artistic layout of scenery props, constitute a poetic, do not have interesting pictures. In this way, the theme is reflected in a concentrated, generalized and typical image to achieve the same expressive effect as singing, doing, reading and playing on the stage. For example, a play of "Tang Monk Scripture", to be performed on the stage, requires several characters, dozens of scenes, three to four hours, but the pavilion performance, only selected"
Monkey Subdues White-Skeleton Demon
This typical shape: Sun Dasheng holding a golden stick, swooping down from the cloud, according to the white bone spirit head hard hit; Tang Shengjiu
Clasp hands
I can't bear to close my eyes; Bajie's mouth sticks to the Tang monk's ear to say bad things about the Great Saint, and his eyes stare greedily at the fairy beauty; The white bone Essence was so scared that it had no choice... This layout speaks volumes about their different personalities. Plus "Carry the Pavilion" between the flash, the golden stick on the goblin head bit by bit to fight up, white bone spirit showed trembling, want to escape can not be embarrassed. In this way, the theme will be perfect and interesting.
"Carrying the Pavilion" is a comprehensive art of drama, dance, acrobatics, art and music. Although it absorbs all kinds of artistic specialties, it is not tainted with vulgar taste. Because it is rooted in the people, it has a strong mass base and a strong local flavor. It is not only good at reflecting myths, legends, traditional drama stories, but also good at showing sports, acrobatics, martial arts. Since the founding of the People's Republic of China, under the guidance of the Party's "double hundred" policy, folk artists have created many artistic examples that reflect real life, such as "The Five Industries Flourishing", "the Alliance of workers and Peasants", "Defending the Motherland", "The situation of the Army and the people," "The Great unity of the people of all ethnic groups" and some modern dramas, so that this art has gained new development.
The production of "Lifting the Pavilion" is a science, which involves mechanics, chemistry,
chromatics
This is the crystallization of the wisdom of the working people and the spiritual wealth created by the masses. The key to the vivid performance of a "lifting Pavilion" and the vivid effect is the careful design of the iron rod (crutch) and the exquisite color making technology. The iron rod (crutch) is divided into the main rod, the support rod, the root rod and the tip rod.
The phoenix spread its wings
", "Phoenix double wings", "lotus stick", "big turn stick", "small turn stick", "rabbit stick", "chicken stick", "bracelet stick", "hanging stick" and so on. Color making is generally designed according to the props and scenery required by the story plot. The production of color should not only conform to the theme of the story, but also be exquisite and beautiful, at a glance. The device should be hidden and mysterious.
Color, roughly divided into three kinds: one is pure process color, such as the "cinnamon grinding" of the mill such a major object, is pure process color; One is semi-craft semi-physical color making, such as the stool in "Wusong Beating Shop", which is a physical stool filled with iron core; One is the physical color, such as the basket of "Heaven and Women scattering flowers" and other light things, is the real thing.
The steps of making color: first, make the appearance; Second, paper hanging; Third, decoration. For example, the rooster in the "time transfer Chicken", the Jade rabbit in the "Chang E Flying Moon", first made of cardboard or iron sheet, and then mixed with thin paste into the papyrus mud, molded into the general structure, and finally dipped with chicken feathers or rabbit skin, the eyes can be installed on the green flashlight bulb. If you use live chickens and rabbits to make color, you can first tie the legs of the animals under the stomach, and then make fake legs, and mount them with an iron core.
There are three ways to install color: first, the dressing method, all kinds of color should be left in the appropriate position of a small hole, iron rod through the hole, fixed with leather pads; The second is the combination of the method, the production of color, made into several pieces, packed on the iron bar, the synthesis of the whole; The third is the packaging method, the color is divided into several parts, and the iron rod is installed in turn.
The above are traditional installation methods, in today's science and technology forward, with machinery, electric, medicine made of color, is seamless, exquisite and mysterious.
When did "Lifting the Pavilion" originate? In the old society, it was regarded as insignificant by literati and would not be recorded in history, so there was no evidence to check. However, Pingyang is located in the middle reaches of the Yellow River, Fenhe River basin, is one of the birthplaces of human beings, lifting Ge can also be described as a long history, a long history.
"Lifting the Pavilion", commonly known as "She Fire", is an activity to worship the earth god and the fire God. In ancient times when human beings did not know and control nature, people often used some natural objects as symbols to express the lineage of a group or a nation, and worshipped them as sacred, called "totems". During the sacrifice, the activities of people carrying the earth and puppet images of the "earth god" and "fire God" are called "She Fire".
According to legend, during the period of Yao and Shun, sacrificial activities had a fixed form and a specific date. In the Xia, Shang and Zhou periods, the ritual of sacrificial activities became more frequent and complex, and the earth, puppets like totems, which were regarded as supreme by people, were also shifted and mocked from time to time. Therefore, "She Fire" was developed along with the sacrificial activities, and later evolved into pavilions with idols or people pretending to be gods. That's why it's called "Carrying the Pavilion."
The origin of "Carrying the Pavilion", there is a legend: in the Sui and Tang dynasties, Emperor Yang, a playboy, built a lot of pavilions in the palace, and drove the Geisha dancers on the stage and in front of the pavilion to perform for him for fun, and became a habit, but he was uneasy in the palace life, often went out to visit the mountains and waters, where a go out, must carry the Geisha dancers. In order to meet the needs of mobility, forcing the working people to create a mobile stage for him is today's cabinet. At that time, it was only to carry the pavilion but not the people, and the kabuki dancers took the stage during the performance and stepped down after the performance.
Another biography, Tang Dynasty (712 AD)
acrobatics
With the further development of vaudeville, the people followed the example of the court, and played all kinds of plays in the village and community when the farm was idle. Because there are few pavilions in the folk, they moved a few tables to form a temporary stage, so that the actor can perform on the table, which is the "platform". But only "Taiwan" without "pavilion", it is difficult to shelter from the wind and rain, and people set up a simple cover on the "Taiwan" - "pavilion", which becomes "Taiwan pavilion". Later, because it was carried by people from time to time, people used to call it "carrying Pavilion".
Xiangfen county
Anli Village
According to legend, the village was called Li Village before the Tang Dynasty, and the king of Qin, Li Shimin, was stationed here to fight and suppress the criminals, and the people's lives depended on stability, so the original Li Village was changed to An Li Village. The village
The Temple of Fire
There was once a stone tablet, writing "the king of Qin in the area". The temple once sculpted two idols of the young and old, it is said
Li Shimin
Two returned to An Li village, leaving the old and young two ministers to guard here, later, the old and young two ministers died one after another, to commemorate the "two ministers" then the statue in the temple. People are afraid of the thief again, they imitate the appearance of the old and young two ministers by people dressed as "meat puppets", in the Spring Festival or sacrifice every year, carrying the village around, showing off the old and young two ministers still exist, deter the crowd of criminals, and settle the people's hearts, so that over time, the natural formation of "Carry the Pavilion". From the point of view of the content of the pavilion in An Li Village, most of them are stories played before the Tang Dynasty, such as "Fen Hewan Geese", "Tang Monk Scripture" and so on.
Anli Village
"Carrying the Pavilion" has been formed in the Tang Dynasty.
According to the stele of Phoenix Temple in Zhonghuang Village, Xiangfen County: "Ming Chenghua three years (1467 AD) March 26 in the early morning, birds covered the sky, the sound of the air, the village people startled, looked up, the birds gathered on the square stone on the top of the Phoenix slope, where a golden phoenix fell, all over the mountains are full of birds flying, lasting one hour and three moments, suddenly rushed into the air, birds flying with, covering the sky, flying south, I do not know where to go... ... " Since then, the people of Zhonghuang Village, in order to commemorate the auspicious phoenix, built a large-scale phoenix temple there, and the temple fair is held on March 26 of the lunar calendar every year. Thousands of people gathered, merchants like a forest, gongs and drums, Yangko fire in an endless stream. There is a clever device in her fire "high turn table that is carrying the pavilion", people called this temple fair "Gaotai meeting". In the inscription of the temple pavilion, there is also a record of carpenters Wang Yao and Zheng Pilin, who found that two children climbed up the treetop to do all kinds of play and were touched by the wisdom, so they converted the lonely general "Carrying Pavilion" into a "high turntable" with many sticks. It is not difficult to see that Zhonghuang Village's "Carrying Pavilion" was improved in the Ming Dynasty.
Zhaozhuang village, Xiangfen County, there is a elm table specially for carrying the pavilion as the base, the back of the table has the word "Shunzhi" with fire.
Shunzhi
"Is the founding of the Qing Dynasty, then, here" Carry the Pavilion "at the latest in the late Ming. On the red cloth "flag" that guides the march of "Carrying the Pavilion", there are ink books
Jiaqing
It can be seen that "Carrying the Pavilion" prevailed here in the Ming and Qing Dynasties.
Although "Lifting the Pavilion" has been despised by the politicians of all ages, it is not worth a record, but it is rooted in the folk, strong vitality, generation by generation, from ancient to today. In the meantime, although it has experienced vicissitudes of life and suffered setbacks, it can develop and grow along its own path, from gradual change to mutation, from low to high. Since the reform and opening up, with the development of modernization, "carrying Pavilion" has begun to be carried by people into tractors, cars, cranes and other motor vehicles, from fixed to flexible. Such as dress up "Cowherd and weaving girl", can a combination to perform the scene of grief and joy; "The Heavenly Daughter Descends", the fairy can float from the height to land on the ground; "Chang 'e flying to the Moon", Chang 'e can fly from the ground to high places. All of these are performed with ease and vividness. It makes people feel noble and pleasing to the eye, and the literati once wrote a poem in praise:
"A pair of red sleeves dancing in the sky,
Just like Chang 'e running to the moon,
Ten thousand people look up to the clouds and play,
Folk art usurps the works of heaven."
Qingxu of Shanxi
It is said that the historical origin of carrying pavilion is from the traditional folk sacrificial activities to the form of folk literary activities. According to legend, in the remnant Tang and five Dynasties, it is located
Loess plateau
And the Yellow River basin
A surname
The land, the geographical position is superior, the economy is developed, is a battlefield, so the central plains land for years of war, the people's life is miserable, the people want peace, they silently pray heaven bless, hope the war as soon as possible to end, live a peaceful and stable life. After the war subsided, the people in order to celebrate the extinguishment of the war, the two sides of the large square table were tied up with lifting poles, and the table was set up with offerings such as the divine position and the whole cow, the whole sheep, and the incense table, and the square table was carried by 4 people to celebrate the street for 3 days and 3 nights. This is the prototype of "carrying the pavilion". From then on, the terrier Yang earth every encounter
drought
During various natural disasters, such as floods and pests, the people of Nanying Liu Village asked God to make wishes. After the wish is fulfilled, it is necessary to use the whole cow, the whole sheep, the whole pig and the chicken, the duck and other animal sacrifices to worship the gods and express the wishes of the people. The form of sacrifice is to carry a square table, set up on the square table God's tablets or gods and offerings, incense, celebrating along the street.
Legend has it that long ago,
A surname
The earth half a year did not see a drop of rain, the drought is very serious, the grass seedlings in the field are dying, the people are anxious, panic, in this moment of crisis, the people of the south camp stay village, proposed to carry the dragon Lord pray for rain, people responded in unison, spontaneously organized to carry, to
Baishi River
At the White Dragon Temple, carrying the dragon King, wearing a hat made of wicker, marching along the street to pray for rain, praying for the dragon King to show his spirit to rain, to solve the drought, and wishing after rain, grand thank God for three days. The pious prayers of the people moved the spirit of heaven and earth and the dragon King, and after a few days, it really liked to rain heavily. In order to thank the dragon King for the blessing of rain, the people killed pigs and sheep, prepared a pavilion, and organized activities to thank God. At that time, the carrying pavilion than the old square table walking pavilion has been greatly improved, the carrying pavilion is the autocratic quadrangle square table, the special square table above the setting is not the past tablet and pig and sheep sacrifices, but realistic statues and boys and girls, this shape is more beautiful and atmospheric than the previous square table walking pavilion. From then on, folk artists will this
Worship the God
The form of the activity moved to the Lantern Festival on the fifteenth day of the first month and the folk art team to carry out Shehuo performance activities along the street.
The white bird carries the pavilion
The white bird carries the pavilion
It is Wuxing District, Huzhou City, Zhejiang Province
Baique township
The villagers in the area held folk activities on the Buried Hill from February 25 to 28 of the lunar calendar every year in memory of General Lu. "Lu general manager", is a legendary fish farmer, birthday lunar February 24, ancestral fish, he is reincarnated III. He lived by the fish pond all day and all night, but never peed in the fish pond, kept the fish pond very well, and had the best experience in fish farming in the area. In the local, aquaculture and planting are the two main industries, and the area of fish ponds and farmland is almost equal. So people have come to him for advice, he is always selfless to teach, deeply respected by people, called him "Lu chief." Later, people built a "chief temple" for him on the nearby buried hill, and every time on his birthday, they would sacrifice items and burn the "incense tower", and sprinkle the incense ash in the temple in the fish pond to eliminate
Fish disease
It is said to be very effective.
Pu Jiang carries the pavilion
Pujiang lift pavilion Pujiang people commonly known as "Yinghui". It began in the Orthodox period of the Ming Dynasty (1436-1449) and has been popular ever since.
Pujiang Yinghui
It is divided into "people will", "paper will" and "people paper will". A special table is set up with an iron frame, which is covered by the actor's clothes and accessories, and each table selects beautiful and lively men and women and children to dress up as a certain scene in traditional dramas such as "Three please Pear" and "Three Please Pear".
Bow bead
","
Monkey Subdues White-Skeleton Demon
","
Monks and nuns association
"Etc., each table has 8 people, more than a dozen tables, gongs and drums, firecrackers, the scene is very spectacular and lively.
Since the reform and opening up, whenever the county carries out major celebrations, Lantern Festival and the ancient calendar August 13 Huangzhai material exchange meeting, a grand meeting is held. In October 1988, Hangzhou held the "Ham Culture Festival", and in May 1996, the old City God Temple in Shanghai were invited to perform, and people at home and abroad called Pujiang "Ying Hui" (that is, lifting the pavilion) as a unique Chinese.
Lift a pavilion from the roof
Lift a pavilion from the roof
It got its name because four people carried a cabinet type cabinet. The base is a strong square wooden frame, with a bamboo pole on each corner, decorated with colored strips, and covered with a canopy on the top, draped in red and green, and decorated with lanterns. On the stage were one to several good-looking children between the ages of six and eight dressed as various theatrical or mythological characters. It is one of the most distinctive folk arts on the rooftop. It was very popular as early as the Qing Dynasty. After liberation, every major celebration, the village of Chengguan Town made dozens of pavilions. Looking up the pavilion has become the highlight of Tiantai County's folk festive activities. In 2006, Tiantai Lifting Pavilion was listed as the first batch of intangible cultural heritage protection in Taizhou. On the night of February 12, 2014, it's been a long time
Lift a pavilion from the roof
The reproduction of folk, caused a great sensation, for the upcoming Lantern Festival added a lot of festive color
[8]
.
